After emerging onto the scene in 2013, WEISS has ascended through the dance music ranks at an impressive rate, receiving support from a host of legends ranging from Armand van Helden, Eats Everything and Carl Cox to Elton John along the way. His 2018 hit single ‘Feel My Needs’ took the world by storm, reaching #1 in both the BBC Radio 1 Dance Chart and ARIA Club Chart (also being voted the #1 track for the year), and winning ‘Best Track’ at the DJ Mag ‘Best of British’ awards.
WEISS has circled the globe countless times to complete tours worldwide, in the latter part of 2019 he embarked on his biggest ever tours of North America and Oceania covering 30 dates across 7 weeks. It is this connection that brings WEISS and his experiences to CULTR. We present, WEISS’ Around The World.
Los Angeles
California
The mad thing is I wasn’t originally the biggest fan of LA but I’ve fallen in love with it more and more over the years. The restaurants are incredible and if you’re lucky & get an offer to party at someone’s house in the hills, then take it!!
Ibiza
Spain
It’s always a No.1 go to place for me to party with my friends during the summer. Not only is the nightlife amazing but Old Town is a real mix of old & new with a chilled atmosphere and beautiful restaurants.
Barbados
Carribbean
Barbados has a special place in my heart: I went there as a kid and love the beaches & crystal clear water. Waking up in the morning and finding yourself surrounded by red crabs and swiminning with the turtles is a memory I’ll never forget.
OTR has just embarked on his most fulfilling venture in his young career thus far. With the release of his debut album “Lost At Midnight” via Astralwerks, it is exciting to see the artist’s vision finally coming to fruition. Featuring artists like Panama, Shallou, Vancouver Sleep Clinic, Au/Ra, and more, the 12-track LP serves as a digital embodiment of the talent rooted in the 26-year old aerospace engineer-turned-producer.
The captivating project will throw you into a whirlwind of emotions as you are captured by the records alluring atmosphere. Offering enchanting soundscapes, melancholic chord progressions, and catchy toplines along the way, “Lost At Midnight” evidently reaches the peak of electro-pop. Pulling you by the heartstrings, OTR effortlessly transports the listener into a pit of vulnerability which is the very essence as to why the album is incredibly addictive to listen to in the first place. Finally showcasing his genius to the world, we can safely declare that this is OTR’s moment.
“Writing the album over the last two years was an incredible experience. Now that it’s out, I’m happy to see people empathize with the raw emotion I put into each track, signifying different points in my life.” – OTR
With all that being said, what better way to pinpoint the significance of this album than to hear it from the artist himself. Hear the story of how he put this all together in the track-by-track breakdown below.
Shawn Mendes and Cuban born Camila Cabello released their joint single, “Señorita,” last week via Island Records. The song achieved instantaneous success worldwide rocketing to #1 on Spotify’s Global chart as the biggest single-day debut of a male/female duet ever. The video garnered 50 million YouTube streams in the first 48 hours of release while trending #1 around the globe. Other notable chart #1s include Spotify US Chart, iTunes, Apple Music Pop and Apple Music’s Top Videos.
GRAMMY nominated Toronto born multi-platinum singer/songwriter Shawn Mendes released his highly anticipated self-titled third album in May 2018. The album debuted at #1 on the Billboard 200 album chart as well as multiple additional worldwide markets, including Australia, Canada, Mexico, Belgium, Holland & more and shot to #1 on iTunes in more than 80 countries immediately upon release. The album became one of the top best-selling album debuts of 2018 and made Shawn the third youngest solo artist to ever have three consecutive #1 albums.
Multi Grammy nominated Cuban born singer/songwriter Camila Cabello (Epic Records / SYCO) released her debut solo album, CAMILA in January 2018 to rave reviews. It debuted at #1 on the Billboard 200 chart at the same time as her single “Havana” Reached #1 on the Billboard Hot 100 chart, making Camila the first solo artist in nearly 15 years to reach the #1 spot on the Hot 100, Billboard 200 and Artist 100 charts in the same week. The RIAA platinum-certified album, CAMILA, launched its debut at #1 on 110 iTunes charts around the world, breaking the record for most #1 positions for a debut album in iTunes history. Camila also became the #1 artist on global Spotify.
Ferry Corsten is back with his latest ‘Unity’ collaboration, after releasing the last one with Ilan Bluestone back in December – Ferry has teamed up with BT for a special collaboration in ‘1997‘.
Ferry Corsten has been busy with solo music in the first half of 2019, releasing ‘Freefall‘ – which feels like a more commercially viable release. He also returned to his Gouryella alias with ‘Surga‘.
Ferry Corsten has brought in another big name into the Unity project, with the legend that is BT. After remixing BT’s track ‘Suddenly’ in 2010, the pair are familiar with each other’s prowess in the studio, and that united vision is showcased in abundance. The team-up sees both artists strengths utilised to their best potential to create a track that is greater than the sum of its parts. As it should, the production leans heavily on the killer uplifting melody – which is a prominent throughout the entire track. The mix of each artist’s styles is present and concludes in an epic collaboration.
Ferry launched the UNITY project in 2018 with his collaboration alongside Paul Oakenfold titled ‘A Slice Of Heaven’, and continued working with artists within the Trance community throughout the year, such as DIM3NSION, Jordan Suckley, Saad Ayub and Ilan Bluestone, and after the success of 2018 has more releases in store after making his first donation to project partner, VH1’s Save The Music Foundation, an organisation launched to reinstate music programs in public schools, which to date has raised over $53 million and helped over 2,100 public schools.
Fred again.., Skepta and PlaqueBoyMax come together for new grime/dance crossover single. ‘Victory Lap’ made its grand debut via a live stream on Twitch, a fittingly modern unveiling for a track that bridges diverse corners of the music and internet cultures. The premiere was accompanied by the announcement of an impromptu pop-up rave in Brooklyn, New York, further cementing the event as a moment of genuine excitement and fan engagement.
The song itself is a sonic journey. Fred again.. lays the foundation with a dynamic and textured electronic soundscape. This provides the perfect canvas for Skepta, the iconic grime veteran, to deliver his characteristically raw and energetic verses. PlaqueBoyMax, who has been steadily building a name for himself through his music and popular Twitch streams, holds his own with a confident and versatile performance that bridges the gap between the two established artists.
The release marks Fred again..’s first new music of 2025, a significant return for the producer who has captured a global audience with his “Actual Life” projects. His ability to weave snippets of real life and raw emotion into his music is once again on display, though this time channelled through the powerful voices of his collaborators. Plaqueboymax — who’s a rapper, producer, and streamer — released the albums ATLANTA and Five Forever earlier this year. Meanwhile Skepta featured on the latest Playboi Carti album.
Gaming was once perceived as a niche hobby that took place within the walls of basements and arcades, but has now evolved into one of the significant contributors to pop culture and entertainment. Video games have transcended beyond mere pastimes; they are cultural blueprints. Present-day gaming is as much about style, sound, and social interaction as it is about gameplay. It shapes how people find avenues for expressing identity, making connections, and experiencing media.
Fashion Gets a New Style Through Gaming
In recent years, gaming has become deeply intertwined with fashion, changing perceptions of style and self-presentation. Big houses such as Balenciaga and Louis Vuitton now offer digital collections based on video game aesthetics. It is not rare anymore to see a game character donned in designer clothes or a real-world model wearing outfits lifted right out of the virtual world. Amid this convergence, even unrelated titles like fishin frenzy reflect how diverse gaming has become in influencing broader cultural spaces.
Even the game’s in-game customization has grown to become a part of fashion culture. Avatars are digital representations of personal identity, and players put as much effort into dressing their avatars as they do themselves. Skins, accessories, and limited-edition drops reflect streetwear trends; scarcity creates hype. For many, picking a character’s look is just as big a decision as choosing an outfit in the real world.
Just as fashion has embraced gaming’s visual flair, the music world has begun to echo gaming’s immersive and interactive energy.
Where Music Meets the Joystick
Gaming has totally changed the way people listen to and feel music. Musicians like Travis Scott and Ariana Grande performed virtual shows inside games, reaching so many fans without having a concert venue. This is not just supplementary, it’s deeply engaging, immersive music experiences that mix a live show with unreal images and fans taking part.
Game soundtracks are no longer background noise. Composers such as Gustavo Santaolalla and Mick Gordon have achieved cult status, and game scores influence cinematic music just as much as the reverse. This feedback loop allows game environments to feel alive, even more emotionally resonant than film scores in some cases.
Games are also great places for finding new music. New songs emerge during gameplay and are added to playlists used by streamers, making a special combination of tunes, play, and common feelings.
A New Language of Play
Gaming has also expanded everyday language, with words like “level up,” “noob,” or “lag” coming easily into talk far beyond the gaming group. These words are not just slang; they carry emotional weight and shared experiences, placing digital culture into how it speaks and thinks.
Massively multiplayer games invite cooperation from players across different cultures and languages, thus fostering a kind of digital creole. Furthermore, the social mechanics of games like Among Us evoke patterns of real-life communication, social deduction, emoji-based messaging, and meme culture. These shared experiences have an influence on how young generations navigate forming relationships and communities in the online space.
Storytelling in the Digital Age
Games are no longer bound to basic narratives or level-based plots. Titles like The Last of Us and Red Dead Redemption offer cinematic storytelling that rivals the best of TV and film, often touching on complex social issues like grief, identity, and environmental collapse. They’ve inspired adaptations, fan fiction, mods, and entire YouTube channels dedicated to analyzing their story arcs.
Major game releases are now full cultural moments, with trailers and countdowns and influencer hype and even red-carpet style previews. The impact of games spills over into digital art, cosplay, and machinim films made using game engines, which continue to push the boundaries of visual storytelling. It’s storytelling that doesn’t just invite viewers but lets them help shape the story.
In closing
The growth of gaming is not merely about enhanced graphics or more engrossing worlds; it is about cultural assimilation. It influences fashion, language, newly found music, and narratives. It permits a flexible amalgamation of recreation, community building, and quest for identity. The vast majority might not be gamers, but now have to live in a world shaped by gaming. Whether through a viral meme, an immensely popular soundtrack, or an outfit that appears just as much at home on a street corner as it does in a gam, gaming has long since transcended its roots and has no plans of stopping.
Dutch DJ and producer KI/KI is set to make a highly anticipated return to Australia this September, with two exclusive headline shows planned for Melbourne and Sydney. Presented by Untitled Group, these events promise an immersive experience, with KI/KI performing her signature five-hour set at both venues.
The Melbourne leg of the tour will kick off Untitled Group’s recently announced Wool Store series, a special initiative celebrating their 10-year anniversary. Sydney will host her at the iconic Hordern Pavilion on Thursday, September 25; the following day, Melbourne can catch KI/KI at the incredible venue that is The Wool Store on Friday, September 26.
KI/KI’s last visit to Australia was during the 2024/25 New Year period, where she captivated audiences at major festivals including Beyond The Valley, Lost Paradise, and Let Them Eat Cake, as well as a memorable performance at Lost Sundays. Her return tour is a unique opportunity for fans to delve into her invigorating blend of techno, trance, and acid over an extended set, promising an unforgettable journey through her distinct sound.
Signup for presale access HERE Presale begins on Tuesday 24 June 11:00AM AEST General on sale begins: Wednesday 25 June 11:00AM AEST
Paris Saint-Germain (PSG) and global music icon The Weeknd have renewed their creative partnership, launching “PSG x XO: Beyond Limits. Beyond Borders.” in Los Angeles. This second collaboration builds on their 2023 success, further merging the worlds of football and music.
The centerpiece of the collection is a special collector’s edition of the club’s 25/26 Home Jersey, titled “Paris Los Angeles XO.” The limited-edition jersey features a unique co-branded print and was unveiled during PSG’s 4-0 victory over Atlético Madrid at the Rose Bowl on Sunday, June 15th. Over 80,000 fans witnessed the team, including stars like Khvicha Kvaratskhelia and Ousmane Dembélé, debut the new kit.
For the first time, the collaboration extends beyond a jersey to a full lifestyle product line, available for pre-order. The Weeknd also featured his new track with Playboi Carti, “Timeless,” in the kit’s reveal video, enhancing the launch.
The exclusive jersey is now available for purchase at the PSG House on Melrose Avenue in Los Angeles, online at both the official PSG and XO stores, and at PSG retail locations. Fans can also purchase jerseys for players such as Désiré Doué, Marquinhos, and Achraf Hakimi.
Fabien Allègre, Chief Brand Officer of Paris Saint-Germain, commented:
“This collaboration represents more than just a jersey — it’s a meeting of two global cultures and is based on the relationship we’ve built together in recent years. By bringing the best of Paris and Los Angeles together, we’re uniting fans through a shared passion for creativity, music and sport.”
La Mar C. Taylor, Creative Director and Co-Founder of XO, said:
“From the beginning, our vision with Paris Saint-Germain has been to build moments that feel both intimate and iconic. This collaboration is a celebration of identity, ambition, and the power of cultural crossover.”
Everyone always says that seeing Justice live will be one of the best shows you’ll ever experience – and honestly, that’s not an exaggeration. From the moment they stepped on stage, weaving between their decks, it was clear this was going to be something special. The entire production felt almost mathematical – moving light panels, lasers timed with almost rude precision, and a camera shot from directly above the decks that made you feel like you were in the middle of their creative process. I’ve seen a lot of shows, but this might’ve been one of the best productions I’ve ever witnessed. Possibly the best. Period.
Setlist-wise, they hit that perfect sweet spot between giving us what we wanted and keeping it fresh. They mixed in plenty of their classics with cuts from their newest album, Hyperdrama, and the way they revisited melodies and themes from earlier in the set gave it this full-circle, cinematic feeling. Whether you were there for “Neverender” or wanted a taste of their earlier hits like “D.A.N.C.E.” or “Waters of Nazareth,” there was something for everyone. Every time they reprised a mix or vocal from earlier in the night, it hit. Honestly, it was one of those sets where you didn’t want to blink because you might miss something clever.
The only surprise of the night? The crowd was thinner than I expected. Merriweather Post Pavilion can hold over nineteen thousand people – it’s been packed for artists like Rüfüs Du Sol, Hozier, and massive festivals like All Things Go. But for Justice, there was plenty of room to breathe. Employees were literally walking around offering seated tickets to people up on the lawn. Most groups passed on that offer – why trade in the open space, the freedom to dance with your friends, for a cramped chair? If you ask me, having more room to dance made it even better. A crowd will always add to – or take away from – an experience. Even though it was a smaller crowd, people of all ages wanted to be there – and they were there to dance. We’ve been dancing since “D.A.N.C.E.” told us to – and if this night was any proof, we’re never going to stop.
Activision has just unleashed the Foundry Demo for the highly anticipated remaster of Tony Hawk’s Pro Skater 3+4, giving fans a thrilling taste of what’s to come.
Released on June 8th, the Foundry Demo is available to those who’ve pre-ordered the game (with Digital Deluxe owners getting a special bonus!). This isn’t just a brief teaser; it’s a legitimate slice of the game that brings back the classic THPS feel with a fresh coat of paint.
Players can dive into two iconic parks: The Foundry from Tony Hawk’s Pro Skater 3 and College from Tony Hawk’s Pro Skater 4. These levels have been meticulously recreated and updated, showcasing the stunning visual overhaul while retaining their familiar layouts and secret spots that veteran players will instantly recognise and new players will love to explore.
You’ll get to skate as the legendary Tony Hawk himself, alongside the rising star Rayssa Leal. For those who pre-ordered the Digital Deluxe Edition, a truly unexpected and awesome addition awaits: the Doom Slayer from the Doom franchise is a playable character, complete with unique special tricks! It’s a fantastic, fun crossover that adds to the series’ playful spirit.
The demo also offers a glimpse into the game’s soundtrack, featuring a limited but potent selection of tracks.
From the moment you drop in, the controls feel instantly familiar and responsive. The core gameplay loop of chaining together tricks, grinds, manuals, and reverts is as addictive as ever. The visuals are crisp and vibrant, making the environments pop, and the animations are fluid, showcasing the evolution of the series without losing its arcade charm.
The inclusion of both Foundry and College allows players to experience different styles of levels. Foundry offers plenty of industrial lines and grind opportunities, while College provides a more open, sprawling environment with diverse elements to skate on. It’s clear that the developers, Iron Galaxy, have put a lot of care into ensuring these remakes feel authentic yet modern.
The Foundry Demo is a fantastic appetiser for Tony Hawk’s Pro Skater 3+4, which is set to launch officially on July 11, 2025 (with early access on July 8 for Digital Deluxe and Collector’s Editions). The demo confirms that the beloved skateboarding series is back in full force, blending nostalgic gameplay with contemporary polish.
Whether you’re a long-time fan yearning for the good old days or a newcomer looking to experience the thrill of Tony Hawk’s Pro Skater, the Foundry Demo is a must-play. Grab your board (or controller) and get ready to shred – the full game can’t come soon enough!
DJs have enjoyed auto-sync on their CDJs for decades. Pop stars have relied on autotune for just as long, maybe even longer. Music tech, at its core, has always been about augmentation. So, did you ever wonder what’s next?
Well, here it is: AI bandmates.
Today’s AI-infused systems can adjust to your tempo shifts, anticipate your harmonies, and crank out ideas faster than any human could jot them down. It is not science fiction, and it is not on the distant horizon. In fact, many musicians are already trading riffs with algorithms in bedroom studios and professional sessions alike, potentially replacing bandmates with AI companions.
Meet the Algorithms: Today’s Leading AI Tools
Among the most notable AI tools today is AIVA (short for Artificial Intelligence Virtual Artist), an AI music composer that spits out original songs in more than 250 styles in mere seconds. As founder Pierre Barreau puts it, AIVA exists to “help people who… need a guiding hand in their creative process.”
Another pioneering AI sidekick is Amper Music. Amper made headlines when singer Taryn Southern used it to co-create an entire pop album “I am AI”. Southern would choose a genre and mood, and Amper would generate instrumental tracks for her songs. She described the AI as “a new song-writing partner who doesn’t get tired and has this endless knowledge of music”. Interestingly, the key word she uses is partner.
There are plenty more AI tools joining the jam. Orb Producer is a suite of AI plugins that live inside your music software (DAW) to generate musical patterns such as chords, drums, melodies, basslines, you name it.
Similarly, mainstream music platforms are embracing AI helpers. BandLab’s SongStarter is an AI-powered idea generator integrated into the popular BandLab app.
AI is also learning to turn words into music. Perhaps the most pertinent example is Google’s MusicLM, a test system that was introduced back in 2023 to generate musical clips based purely on text descriptions. You can type “a soulful jazz tune for a dinner party” and its most recent iteration MusicFX now composes a matching piece on the spot.
And if you’re wondering, yes, AI can jam live too.
Projects like Endlesss (founded by musician Tim Exile) create online spaces for real-time musical collaboration. Endlesss is basically a “multiplayer loop station” where you and friends (or strangers) can trade riffs and build tracks together from anywhere. Exile’s philosophy is that music should be “play, not work” and a shared journey. Interestingly, that ethos applies whether your bandmates are humans or algorithms.
Yes, the Code Can Catch a Groove
When musicians jam together, they toss musical ideas back and forth, react to each other’s cues, lay down backing so someone else can solo. AI systems are being developed to mimic and learn from these behaviors in a digital form.
● Listening: Just as a drummer might catch the groove from a bassist, an AI can take your motif and build on it. For example, AIVA allows users to upload a MIDI file as an influence, essentially letting the AI learn the theme or style you provided and continue in that direction.
● Suggesting: AI is especially good at generating lots of musical ideas quickly. Orb Producer, for instance, will happily churn out new chord progressions or melody variations at the push of a button. BandLab’s SongStarter goes further by suggesting complete starter ideas (drum beat + harmony + melody) tailored to a vibe or even an emoji prompt you give. And because an AI isn’t limited by one person’s habits, it often surprises you with ideas you wouldn’t have thought of. Taryn Southern noted that when she works with AI, “everything it spits at me is a surprise”. In this way, AI bandmates expand your creative palette, suggesting chords or rhythms outside your comfort zone (without any ego if you say “no thanks” to some of them!).
● Adapting: A human band that plays together for a while develops a shared style and can even anticipate each other. Can an AI adapt to you over time? The beginnings of this are here. Some AI tools use machine learning to personalize their output based on your feedback. Boomy, for example, uses algorithms that continuously improve and personalize the songs as users create more music. In theory, the more you co-write with your AI, the more it “learns” what you like, just as a human collaborator might pick up on your tendencies.
● Supporting: Not everyone has a friend who can play bass or a 100-piece orchestra on call, but AI can fill these support gaps. You can ask an AI to generate a string arrangement to back your piano ballad, or to lay down a beat while you freestyle rap.
All of this draws an enticing parallel. An AI that listens to you, learns your style, suggests ideas, and adapts over time sure starts to sound like a bandmate rather than a mere instrument. In fact, electronic artist Holly Herndon (who famously “birthed” an AI vocal model named Spawn) says working with AI absolutely feels like collaboration. “I consider Spawn as a performer, as an ensemble member… I collaborated with a human and an AI ensemble,” she explained of her process.
If an AI can reach this level of integration, where it contributes creatively and even shows some improvisational spark, the line between tool and partner begins to blur. Which leads us to some interesting questions about the future of music-making…
Tool, Partner or Performer?
In late 2024 the Black Eyed Peas announced an audacious plan for their 2025 Las Vegas residency: debuting a digital newcomer named Vida. She was billed as an interactive presence, wired into the musicians and the crowd so she could sing, rap, and chat in real time. Unfortunately, the residency was canceled, and Vida never saw the spotlight. Meanwhile in London, ABBA’s Björn Ulvaeus told a SXSW panel that he now treats AI as “another songwriter in the room,” handy when chord progressions stall or lyrics dry up. He laughs that the software is faster than his human partners, though still “lousy at a whole song,” which leaves final authorship firmly in human hands for now.
Authorship is only one wrinkle. Could an AI ever connect with fans the way a flesh-and-blood performer does?
Sting doubts that. The Police front-man warns that musicians face “a battle” to protect the human spark behind every song, complaining that computer-generated music leaves him cold.
Broadly speaking, the notion of “AI companions” isn’t unique to music. In our culture at large, we’re grappling with similar questions. People have AI chatbot friends and even AI “girlfriends” that provide conversation and comfort. These AI companions can simulate empathy, remember your preferences, and always be available – qualities that sound a lot like the “ideal bandmate” too. However, many would say a chatbot girlfriend isn’t a real relationship, and by analogy, an AI bandmate might never replace the real camaraderie of musicians sharing a creative bond.
So where does that leave the future lineup card? Big stars are testing AI both in the studio and on the marquee, while others draw hard lines around what feels authentic. For many projects, the machine will stay backstage, cranking out riffs and reference tracks that humans refine. Somewhere down the road, though, another Vida will almost certainly step under the lights.
Listen to the first AI-assisted song to win a Grammy, and decide for yourself if the vibe feels human, artificial, or something in between.
Miley Cyrus recently released her ninth studio album, Something Beautiful, accompanied by a musical film of the same name a week later. This album feels like a guided tour through your own personal history – familiar yet distant, full of our favorite and hardest memories. The highs, the heartbreaks, the choices you swore you wouldn’t repeat but somehow did anyway. The message is clear: you can’t erase the past, but you owe it to yourself to be present for the life you’re still living.
A highlight is Walk of Fame – groovy and ethereal, like walking away from something heavy and suddenly remembering how powerful you are. It’s that moment when, in your lowest lows, everything suddenly clicks: the problems, the lessons, and the next version of you all coming into focus at once.
Even the release was intimate: a hand-picked room of close friends and key figures from her past – including her ex, Liam Hemsworth. There’s a throughline of living like there’s no tomorrow – not recklessly, but with intention and gratitude for the moment you’re in. Miley’s never been afraid of reinvention, but here, she’s not just reinventing – she’s reclaiming. Every note, every lyric, every move feels like a quiet but confident declaration: this is her era, on her terms.
As an artist, Miley’s always shown up for her fans – pushing through awkward interviews or delivering impromptu performances just to keep the peace. But this album, and the film that pairs with it, feels like she finally did this one for Miley. Those who get it can come along for the ride. Those who don’t? That’s alright – they’ll catch up.
The highly anticipated Bonnaroo Music & Arts Festival has been canceled for the remainder of its 2025 run, following severe weather that made the festival grounds unsafe. Organizers announced the difficult decision late Friday evening, June 13, citing an updated forecast from the National Weather Service predicting “significant and steady precipitation that will produce deteriorating camping and egress conditions in the coming days.”
The festival, which officially began on Thursday, June 12, and featured performances by artists such as Dom Dolla and Luke Combs, saw its Friday schedule severely disrupted by heavy rains and storms. This led to the evacuation of the main concert area, Centeroo, early in the afternoon. Despite initial attempts to resume some activities, the ongoing and worsening weather concerns ultimately led to the full cancellation of the event.
This marks the second time in four years that Bonnaroo has been forced to cancel due to weather, with the 2021 event also being called off due to flooding.
Feint and DJ SALLY have released “Bloom,” a joint single that also launches Starsent—a new record label created by Feint to support global collaboration in electronic music. The track blends cinematic atmosphere with focused bass and rhythmic detail, designed for both energy and cohesion.
Feint brings over a decade of experience in melodic bass, with releases on Monstercat, Ophelia, and Liquicity, and syncs in games like Fortnite and Rocket League. DJ SALLY contributes performance-driven style and strong club roots, shaped by festival appearances and support from labels including Sony Music and Barong Family.
“Bloom” is a strong first step. The track’s pacing and arrangement reflect discipline. Each element—from the vocal distortion to the layering of sub-bass—lands with precision. It’s not designed to overwhelm, but to resonate.
With Starsent, Feint and DJ SALLY signal a commitment to intentional growth. “Bloom” isn’t just a collaboration—it’s a clear example of what happens when two artists with different backgrounds build toward something lasting.
