Obscenity State has unleashed, “Gridlock,” an entrancing track that immediately draws you into its textured layers. This piece of electronic artistry opens with a nails things with a smooth percussion foundation, gradually weaving in shimmering arpeggios and atmospheric flourishes. The track builds with subtle intricacies, creating a sense of forward momentum that feels both expansive and intimate. Every note seems meticulously placed, guiding the listener through a sonic journey that feels otherworldly and immersive. The result is a track that resonates long after the final moment of the song.
Nilly Brook, the mastermind behind Obscenity State, brings her diverse background to the forefront of her music. With roots in classical music and a deep connection to underground electronic scenes, her work is a reflection of her complex experiences. Growing up in the aftermath of the Iranian revolution, Nilly’s search for artistic identity led her to study at Central Saint Martins and the School of Oriental and African Studies, honing her unique approach. What began as a post-punk dance band has evolved into her solo electronic project, where she continues to explore rich emotional depths.
Her accolades span across multiple creative fields. Nilly has composed for film and garnered acclaim for her work on The Lonely Musketeer. She recently took the stage at Corsica Studios alongside A Guy Called Gerald, in a performance aimed at supporting Palestinian relief efforts. “Gridlock” marks yet another ambitious step in her music journey.