Smith & Sorren and GSEPP Unveil ‘KISS’ Collaboration: First Premiered at Miami Music Week”

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Smith & Sorren and GSEPP have joined forces to release “KISS,” a standout deep, dark tech house track that premiered at the Hood Politics showcase during Miami Music Week. This collaboration is a potent mix of Smith & Sorren’s established sound—marked by deep basslines and sensual vocals—and GSEPP’s signature style filled with atmosphere and swagger. “KISS” hits high marks in many ways, nailing the spirit of club culture and late night vibes with it’s feel good nature.

After coming off the momentum of Miami Music Week, in March, Smith & Sorren seemingly have a whole new flow of drive greater than ever before. With a stellar set at Hood Politics MMW, meeting up with the right people, and making the best out the experience – the sky is the limit for these guys as they carve out their own lane within the tech house space and beyond.

Based in New York City, Smith & Sorren have carved a niche for themselves within the tech house genre, gaining placements on prestigious Spotify editorial playlists such as Housewerk and Friday Crate Diggers. Their music has not only drawn attention from electronic music powerhouses like David Guetta, Diplo, and The Chainsmokers but has also seen them climbing the charts on Beatport with one number one hit, five top 10s, and ten top 100 tracks. Their remix of Eliza Rose’s “Baddest Of Them All” was a notable success, dominating airwaves on SiriusXM Diplo’s Revolution.

GSEPP, distinguished by his knack for embedding tech house tracks with groovy basslines and memorable hooks, adds a distinctive vibrancy to “KISS.” His commitment to producing music that stimulates audiences aligns seamlessly with Smith & Sorren’s angle and approach. This partnership not only highlights each artist’s individual talents but also signifies a pivotal advancement in their musical journeys, hinting at an exciting trajectory for their combined creative endeavors. By melding their skills, they’ve crafted “KISS,” a track that embodies the essence of Miami Music Week’s electrifying atmosphere and underscores their shared ability to push the boundaries of the tech house genre with innovative sound design and compelling rhythms.

Photo from Hood Politics: Smith & Sorren (Far Left and Right), GSEPP, (Middle)

Experience the Raw Energy of Wyatt Taylor’s Latest Release ‘How U Want It

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Wyatt Taylor has steadily cultivated his unique presence, particularly following his time in Europe from 2016 to 2018. Immersed in Berlin’s dynamic electronic scene, Stockton’s passion for dance culture deepened, shaping his sound with a blend of analog and modular elements. 2024 marks a significant milestone for Taylor, as he prepares to debut a hybrid live performance, embodying the essence of what he knows his calling is.

Amid this artistic exploration, Taylor introduces “How U Want It,” showcasing his adept fusion of techno and tech house. Anchored in the ambiance of underground clubs, the track weaves dense synthesizers and a commanding bassline to create an deep and meaningful experience. It resonates with house music enthusiasts, drawing them into its rich sonic landscape.

Taylor’s creative process, leveraging Sting 64, Serum, and diverse drum modules in Ableton, shows he can think outside the box. The inclusion of a siren sound sampled from a passing Boston PD car adds an authentic touch. “How U Want It” shows off his ability to think critically when is comes to genre-crossover incorporations while infusing a thematic style with the music as well. Good on ’em.

On Deck, Host of Insomniac Radio’s Audio Foreplay, Teams Up with Skemaddox and Ally Rayne for ‘IDEK

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On Deck boasts an impressive pedigree in the music industry, having held pivotal roles such as hosting Insomniac Radio’s Audio Foreplay and serving in executive positions at Night Moves Music and Brooklyn Fire. His extensive experience spans various facets, from A&R work for Brooklyn Fire to collaborations with major labels like Universal Music Group, Insomniac Records, and Ultra Records. Such diverse engagements infuse On Deck’s projects with a nuanced understanding and a touch of sophistication honed over years in the field.

Similarly, Skemaddox has undergone a notable transformation, transitioning from a renowned DJ in Hollywood’s elite circles to a burgeoning producer carving out his space in the electronic music realm. This evolution shows off his journey from spinning tracks to crafting them, giving a deeper understanding of both where he has come from and where he is going.

Their collaborative endeavor, accompanied by Ally Rayne’s captivating vocals, culminates in “IDEK.” This track serves as a meticulously crafted homage to contemporary club culture, seamlessly blending subtle yet compelling basslines with Rayne’s seductive performance. The result is a polished drop that embraces a raw, synth-led sound, showcasing the collective talent and individual achievements of each artist. “IDEK” combines great styles of house and injects the spirit of electronic night life into the mix, showing just how good things can get sonically where great minds work together.

Powered by AEMPD:  ‘heat.wav’ Event Brings the Heat to Eris Evolution on April 10 NYC

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The Association for Electronic Music Professionals and DJs (AEMPD) is set to present an exclusive gathering named “heat.wav.” This event highlights AEMPD’s role as a pivotal organization, akin to a union for DJs, emphasizing collaboration, resource sharing, and professional development within the DJ community.

Set for April 10 at Eris Evolution, a New York venue known for its expansive 5,000 square feet of space and club-grade acoustics, heat.wav represents a pivot from the venue’s typical “open decks” Wednesday nights. The evening will feature a lineup of four distinguished DJs: RAGA, King Tutt, SurfingDJs, and Lovelydaze, each bringing their unique sounds to the fore. RAGA is known for his groovy deep house tracks, King Tutt for his eclectic mix of house, tech house, and Latin/afro house, SurfingDJs for their tech house and EDM blend with an 80s twist, and Lovelydaze for her mission to introduce UK garage to New York City audiences.

Behind AEMPD’s success are figures like Geoff Marcus, a veteran with over 15 years of engagement in the electronic music scene, and Jean-Francois Collard, alongside the SurfingDJs, who all bring their production and DJing expertise to bolster the organization’s initiatives. AEMPD’s strategy includes not only these meet-ups but also educational webinars covering essential topics such as social media management and audio mastering. These efforts are aimed at equipping DJs with the knowledge and skills necessary for success in the rapidly evolving music industry.

AEMPD’s establishment stems from a dedication to fostering a nurturing environment for DJs at various stages of their careers. Through events like heat.wav, AEMPD offers a platform for DJs to showcase their talents, engage with peers, and learn from one another. The organization’s approach to meet-ups, featuring performances and opportunities for DJs to earn stage time, has proven successful, drawing interest and participation from the community.

As AEMPD looks forward, it is clear that its commitment to enriching the DJ community and electronic music culture is unwavering. With initiatives like heat.wav and its educational programming, AEMPD is setting a new standard for professional development and collaboration among DJs – keep an eye on them for more to come in the future.

Photos from previous events.

Fred again.. Surprise Drops Two New Records ‘ItsNotREEAALLLLLLLL’ & ‘BerwynGesaffNeighbours’

Fred again.. has released two new singles, landing in his USB album that is continuously updated with new music that is not in his albums. The two new club releases as collaborations with Duoteque and Orion Sun, as well as a collaboration with BERWYN and Gasaffelstein.

In typical Fred again.. fashion, both records have ridiculous titles; ‘ItsNotREEAALLLLLLLL’ and ‘BerwynGesaffNeighbours’. The dual records come just as Fred finishes up his multiple weeks in Australia and New Zealand where he played several surprise shows, selling hundreds of thousands of tickets.

The tracks are heavy heaters that are built for the dancefloor. ‘ItsNotREEAALLLLLLLL’ was co produced by Skrillex, which is certainly felt through the 5-minute offering. ‘BerwynGesaffNeighbours’ showcases Fred again.. and Gesaffelstein on the same record, something quite unexpected.

It’s always a great day with new Fred again.. music. ‘ItsNotREEAALLLLLLLL’ and ‘BerwynGesaffNeighbours’ are awesome new records and are sure to get many many streams.

Leo Wood Delivers Stunning Live Performance of ‘Venus’ in Morocco’s Paradise Valley

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In a move that showcases her ability to merge stunning visuals with her musical talent, Leo Wood performed her track ‘Venus’ live in Morocco’s Paradise Valley, a setting that perfectly complements the song’s otherworldly vibe. The track, a collaborative effort with Alpha Rhythm from their debut album ‘The Planets,’ has enjoyed significant online success, prompting this unique live rendition. Wood’s musical style, known for its deep emotional resonance, big hooks, and an ethereal flow, has made her a beloved figure, to say the least. Her work transcends genre boundaries and has led to signings on labels like Anjuna Deep, Defected, and Hospital Records.

Wood’s approach to music video production is unconventional; she opts to record in remote, breathtaking natural landscapes, offering a visually rich context. This strategy showcases her adventurous spirit and distinguishes her in the dance music scene, particularly as a woman in a predominantly male-dominated field. Her latest endeavor in Morocco involved a significant effort, carrying equipment to a remote canyon location for a live performance that was both intimate and grand.

Describing the experience, Wood highlighted the use of samples and trigger machines for improvisation, the logistical challenges of filming in such a remote location, and the inspirational effect of the environment on her performance. The result is a captivating video that reflects the song’s themes of overcoming challenges and the majesty of nature. See for yourself below.

David Hasert and Shlomi Drop LoFi Gem on Where The Heart Is Records

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David Hasert is well- celebrated not only for his dynamic DJ sets but also for his influential role behind LIKE Records and Reineke Fuchs. His contribution to Cologne’s vibrant electronic music community caanot be overlooked, with his work spanning across esteemed labels such as Beats In Space, Dantze, and Kompakt Records. This is particularly evident in his DAMH project with ADA, which has garnered international attention. Hasert’s extensive touring, including a memorable performance at the iconic Burning Man Festival in 2015, is one of many reasons the guy is beloved and stays around year after year.

To hear more sounds like this, check out this sample pack here.

In his latest musical venture, Hasert collaborates with Shlomi to produce a track that resonates with a warm, LoFi charm, infused with a dose of nostalgia. This piece marks a notable shift for Shlomi, diverging from his usual blend of grainy house music and lively grooves. Instead, the duo presents a composition rich in evocative vocals and profound piano melodies. The synergy between these elements creates an introspective listening flow that hits the spot and retains the listener’s focus. Within a concise four-minute arrangement, the track embarks on an emotional journey, demonstrating the duo’s ability to craft music with a lasting impact.

This collaboration between Hasert and Shlomi is a wonderful addition to their discographies, setting the potential ground work for another upcoming collaboration hopefully soon. Hear the track for yourself below.

DIØN Sets the Dance Music Scene Ablaze with Unique Hard Dance Hits and Innovative Label: Rough Material

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DIØN stands out in the realm of dance music as a remarkable DJ and producer, reshaping the dance floor dynamics with his distinctive style. His journey into the world of electronica began at Mysteryland Festival, marking a pivotal moment that steered him towards becoming a prominent figure in Hard Dance. By 2020, DIØN made waves with his release ‘Public Enemies’ through Autektone. Moving forward, in 2022, he chose to consolidate his music distribution by launching his own label, Rough Material, which now serves as the exclusive outlet for his music, including notable works such as the Rough Material EP, collaborations like ‘Make My P*ssy Rave’ with Ketting, the ‘Hard Rework’ of ‘Public Enemies’ in 2024, and the eagerly awaited single ‘Moments That Matter’.

This strategy has garnered substantial support from industry giants such as Amelie Lens, Fatima Hajji, Sarah Landry, Oliver Heldens, and Funk Tribu, reflecting DIØN’s exceptional ability to blend early 90s rave influences with contemporary hard dance elements. His live performances offer an exclusive opportunity to experience his music, intensifying the demand for his shows. His significant moments include a groundbreaking set at VERKNIPT 2021 and a sell-out 2024 event at Amsterdam’s Paradis, establishing DIØN as a leading act in the Netherlands and internationally, with an impressive schedule of over 150 performances in 2023.

Additionally, DIØN extends his artistic expression to fashion, creating unique apparel lines for each label release, demonstrating his diverse creative talent and contributing to a comprehensive brand experience for his fans. With a vast collection of new music ready for release and a tour schedule expanding into new global markets, 2024 is set to mark a pivotal year in DIØN’s career, transitioning him from a rising star to a top-tier artist in the dance music scene.

AREA15 Launches ‘We’re All Mad Here’ as First Massive of 2024 with Headliner Charlotte de Witte

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AREA15 announces the launch of “We’re All Mad Here,” the first event of its 2024 Massive series, on April 6. This series, rooted in the late 1990s tradition of grand rave events, blends concerts with festival elements, creating immersive experiences through music, art, performance, and spectacle. In its 2024 iteration, Massives will introduce new elements inspired by a resurgence in rave culture, including immersive entertainment, roaming performers, and specialty food and beverage options. The events will welcome thousands in costume, feature special activations, and present a variety of musical acts across several stages.

Headlining “We’re All Mad Here” is Charlotte de Witte, a global electronic music icon. The event promises an Alice in Wonderland-themed journey with unique offerings such as Drink-Me Potions, interactive photo opportunities, and captivating art installations. Additional performances include Tiga, Danny Daze, Hiroko Yamamura, and Lizzie Aguirre in the outdoor A-Lot venue, with Justin Jay and The Disco Divers performing inside the Portal’s 360-degree space.

Three more Massives are scheduled for 2024: “Secret Garden” on May 4, offering a magical forest exploration; “Galactic Zoo” in September, a space-themed extravaganza; and “ScAREA15” in October, a Halloween-themed party. Each event is designed to offer a unique, thematic experience across the entire AREA15 campus.

For those planning to be in Las Vegas this year, AREA15 is extending an invitation for a VIP experience at these groundbreaking events, promising unforgettable encounters with the forefront of music and artistry.

The Disco Biscuits Release ‘Revolution in Motion,’ Their Ninth Studio Album with an Intergalactic Twist

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The Disco Biscuits unveiled their ninth full-length studio album titled Revolution in Motion. This release features 14 tracks, with production handled by Derek VanScoten, also known as Cloudchord. Accompanying the music, a series of comic book-style 3D animated films created by Blunt Action have been shared on the band’s YouTube channel. Fans can purchase the album on vinyl and CD via the band’s merchandise website.

“Revolution in Motion” presents a narrative where extraterrestrials arrive in New York City with a plan to freeze and kidnap humans for research to benefit their own world. Unforeseen by the invaders, The Disco Biscuits intervene. The story progresses with the band and the alien crew journeying to the extraterrestrials’ homeworld, aiming to convince their queen of music’s potential to quell societal tensions.

Over the past two years, the band introduced all 14 tracks during live performances, solidifying many as favorites and avenues for on-stage improvisation. The concept for the opera originated from Jon Barber (Guitar/Lead Vocals) and his collaborator, Joey Friedman, in August 2021. Tagging the new tracks as tunes “music aliens would love,” the writing process began in early 2022 with Aron Magner (Keyboards/Vocals).

Amidst a sprawling tour spanning over 35 dates across the United States, The Disco Biscuits’ journey includes performances in cities like Buffalo, Louisville, and Nashville, and a notable appearance at the Texas Eclipse Festival near Austin. The band has celebrated the album’s launch with a sold-out show at New York City’s Webster Hall and now they are officially of the races.

GET TICKETS HERE

THE DISCO BISCUITS TOUR DATES
4/11 – Asheville, NC – The Orange Peel
4/12 – Nashville, TN – Brooklyn Bowl
4/13 – Atlanta, GA – Tabernacle
4/14 – Raleigh, NC – Lincoln Theatre
5/24-26 – Chillicothe, IL – Solshine: A Music & Arts Reverie
6/6-9 – Ozark, AR – Backwoods at Mulberry Mountain
6/20-23 – Rothbury, MI – Electric Forest Festival (SOLD OUT)

7/4-6 – LaFayette, NY – BISCOLAND
7/12 – Atlantic City, NJ – Bourbon Ballroom (The Peach After Dark Pre-Party)
7/18-19 – Thornville, NY – Secret Dreams Festival
7/20 – Patchogue, NY – Great South Bay Music Festival
9/6 – Dillon, CO – Dillon Amphitheater
9/7 – Bellvue, CO – Mishawaka Amphitheatre (SOLD OUT)
9/8 – Bellvue, CO – Mishawaka Amphitheatre