DoorDash Launches Aggressive Giveaway in Australia as Menulog Exits Market

Oliver Tryon
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0
DoorDash Launches Aggressive Giveaway in Australia as Menulog Exits Market

DoorDash has announced a major four-day giveaway campaign commencing Wednesday, 26 November 2025, the precise date its competitor Menulog ceases operations in Australia. As Menulog winds down its local business after two decades, DoorDash appears to be positioning itself to capture displaced customers with its ‘Four Days. Four Icons. For Free.’ promotion.

Menulog confirmed it will stop accepting orders at 11:59 pm on 26 November, following a strategic decision by parent company Just Eat Takeaway.com to withdraw from the market due to challenging economic conditions. This departure leaves the Australian food delivery sector primarily as a duopoly between Uber Eats and DoorDash. The timing of the DoorDash campaign suggests a calculated effort to secure market share immediately as the long-standing rival exits.

The promotion runs until Saturday, 29 November and offers 15,000 free items daily from 4 pm. The schedule includes free burgers on Wednesday, burritos on Thursday, pizzas on Friday, and meal bundles on Saturday, featuring brands such as Guzman Y Gomez and Betty’s Burgers. DoorDash is framing the initiative as a way to assist Australians with the end-of-year rush.

While the campaign offers significant value, consumers should note that service and delivery fees still apply to all orders. Additionally, the offer is limited to one redemption per customer each day and is valid only while daily stocks last.

New Dance Sounds: Hannah Laing, Madeon, GENESI + More

Oliver Tryon
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0
New Dance Sounds: Hannah Laing, Madeon, GENESI + More

Dive in below to engross yourself in fresh new music that has been released today, you might even find your newest favourite!

Hannah Laing & Hannah Boleyn – Have You Ever Loved (Ellie) [WUGD]

The two Hannah’s link for a vibrant, uplifting track in ‘Have You Ever Loved (Ellie)’. The hard-hitting anthem is a treat, featuring Boleyn’s amazing vocal and a wonderful, unique and fresh production from Laing.

Madeon – Car Crash Baby [Mom+Pop]

Madeon is back with fresh new music from his upcoming album. The talented French artist has shifted to a more punk-sounding theme, and that is ever-present in his newest ‘Car Crash Baby’. Like his last single, this is solely produced, written and sung by Madeon.

GENESI, Rivo & Aya Anne – Karma [Disorder]

GENESI, Rivo and Aya Anne come together for ‘Karma’. The fiery house anthem is filled with terrific vocal work and a vibrant yet underground house production that showcases each artist’s talents in the genre.

Citadelle & Agdem – Contact [STMPD]

Citadelle continue on STMPD, teaming up with fellow STMPD artist Agdem for ‘Contact’. The instrumental anthem is amazing, highlighting a terrific sound design through large chords and energetic main room drops.

CHENDA & Cloudy Parallels feat. JT Roach – Good Blood

CHENDA links with Cloudy Parallels and JT Roach for ‘Good Blood’. The vibrant bass track is an emotional one, with JT providing incredible vocal work while CHENDA and Cloudy Parallels bring forward a perfect instrumental.

KRITIKAL feat. Jman – 50 DUB [Wobbles & Waffles]

KRITIKAL is back on Wobbles & Waffles with Jman as they reimagine 50 Cent’s ‘In Da Club’ into a hectic and heavy drum and bass anthem.

Remix Of The Week: Delerium, Sarah McLachlan & John Summit – Silence (Dimension Remix) [Experts Only]

Dimension takes on John Summit’s new version of the classic dance anthem ‘Silence’. The Spanish/English talent brings a melodic and hard-hitting drum and bass production to the track, highlighting the classic vocal in the best way any remix can.

Vocals Take Centre Stage in Sub Focus’s Amazing ‘Contact’ LP

Oliver Tryon
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0
Vocals Take Centre Stage in Sub Focus’s Amazing ‘Contact’ LP

Drum and Bass pioneer Sub Focus is back with his latest and fourth LP, Contact. The 14-track album is an exploration of his current drum and bass sound, which has evolved over his tenure. With collaborations with John Summit, Grimes, Poppy Baskcomb, Fireboy DML and more included, there is a range of tracks for drum and bass lovers to dive into.

There is a significant focus on vocals throughout the 14 records. Every single song has a vocal, and for the most part, they’re expertly done. While Sub Focus’s production is always notable, it’s the vocals in some of these that take them to the next level.

The creative direction for Contact – including the album artwork, vinyl packaging and imagery – was led by Sub Focus with acclaimed photographer Neil Krug and design agency Big Active. It plays on the themes of retro futurism, space-race era technology and draws inspiration from the Golden Record sent into the cosmos on NASA’s Voyager mission in the 1970s.

Contact is just the latest project arriving from Sub Focus, aka Nick Douwma – who has had an amazing 2025. With numerous notable shows planned for 2026, there is no slowing down for the talented UK artist.

Skrillex Releases ‘hit me where it hurts x’ EP

Oliver Tryon
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0
Skrillex Releases ‘hit me where it hurts x’ EP

Following the release of ‘fuze’ with ISOxo and the title track ‘hit me where it hurts x’ just last week, Skrillex has dropped his new EP of the same name. The five-track project features a diverse range of collaborations.

Fans will recognise ‘while you were sleeping’ and ‘voltage (see you again)’ from Skrillex’s recent mixtape. These sought-after cuts have now been officially released as full singles.

The new EP highlights a sonic direction Skrillex has been expertly crafting for some time, shifting away from aggressive dubstep textures toward a more refined, bass-focused style.

Bringing these mixtape tracks together in their full glory alongside ‘move ting’, a fan-favourite ID, and his recent singles makes for an impressive collection of new music.

Tiësto Returns To Trance With New Single ‘Bring Me To Life’

Oliver Tryon
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0
Tiësto Returns To Trance With New Single ‘Bring Me To Life’

Tiësto made his name in the trance world in the early 2000s, but quickly switched to a friendlier, more commercial sound as he expanded his project. Now, he returns to his roots and teases a potential new album.

On Saturday, the 22nd of November, Tiësto will play a trance set at Dreamstate in Long Beach, which will likely include his new single, alongside his plethora of trance classics. Before this set and today’s single, Tiësto cleared his Instagram (as many do these days) and launched a new logo, which takes inspiration from his 1999 logo for his Live at Innercity Amsterdam set – clearing the way for a new era.

“My connection to dance music has never been stronger,” said Tiësto. “Playing these new sounds live and feeling the energy from the crowd has been unbelievable! It’s pushed me into this new era and inspired the direction of both the single and the album. This moment feels more authentic and exciting than ever and I can’t wait for all that’s to come.”

The world has been wanting a return to trance for a while, especially older fans who experienced Tiësto in his trance heyday.

‘Bring Me To Life’ comes alongside FORS and is a true return to trance, but in a modern, well-produced way. The track features aggressive production, engaging lead sounds in an uplifting break – something trance has always pioneered. The powerful vocals are the icing on the cake for a trance anthem like this, and ultimately, this is Tiësto back at his best. While recent tracks have been commercial successes, they may not have connected as well with the die-hard fans.

His set at Dreamstate SoCal will be interesting to see if any future trance tracks from Tiësto are played, showcasing the future for this new era. Beyond that Tiësto will headline Egypt’s Great Pyramids of Giza concert on December 19th, where fans will experience this new sound in his 3-hour PRISMATIC DJ Set. 

FVTURE Bangkok Announces ARTBAT & Nakadia For Grand Opening Night

Oliver Tryon
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0
FVTURE Bangkok Announces ARTBAT & Nakadia For Grand Opening Night

Asia enters a new chapter this December as FVTURE Bangkok, the region’s largest new cultural institution, officially opens its doors. The venue will launch with an inaugural performance from iconic electronic duo ARTBAT on December 30, 2025, supported by local resident Nakadia.

The opening of FVTURE marks a significant moment for Thailand’s creative and nightlife industries. As the country’s role in global dance music continues to grow, it has become a hotspot for the scene, hosting iconic festivals such as Tomorrowland, EDC, Creamfields, and Circoloco. FVTURE sets a new benchmark for nightlife entertainment within this landscape.

Described as much more than just a club, the venue positions itself as a new centre for the creative community and bold experiences. The space features a unique mix of cutting-edge sound and visual technology on a scale not seen before in Asia. With a focus on innovative bookings, FVTURE aims to define the future of music culture in the region.

The opening night features UPPERGROUND label heads ARTBAT. The Ukrainian duo, comprising Artur and Batish, have risen to become some of Beatport’s top-selling artists behind numerous chart-topping releases. Known for leading the melodic scene with power and emotional depth, they are regulars at the world’s premier clubs and festivals.

Closing the night will be accomplished Thai talent and long-time pioneer of electronic music in Asia, Nakadia. Having represented her homeland globally for over two decades, she serves as one of the main FVTURE residents and Music Directors. In this role, she will be pivotal in connecting the club to the local community and shining a light on emerging artists to take Thai clubbing to new levels.

Book Tickets & Tables Here

Review: The Greatest Sentence Ever Written; A Short Read With Huge Insight

Oliver Tryon
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0
Review: The Greatest Sentence Ever Written; A Short Read With Huge Insight

Walter Isaacson’s new release, The Greatest Sentence Ever Written, is a fascinating study that manages to pack a substantial intellectual punch into a tiny package. This very short book is a forensic exploration of a single, iconic sentence, the one Isaacson deems the greatest.

“We hold these truths to be self-evident, that all men are created equal, that they are endowed by their Creator with certain unalienable Rights, that among these are Life, Liberty and the pursuit of Happiness.” – The sentence in question.

Don’t let the size fool you; Isaacson delivers a thorough yet simple breakdown of the iconic sentence. He doesn’t just revere the words; he expertly delves into the thinking behind it, dissecting the historical currents, philosophical influences, and sheer literary craftsmanship that went into its composition. For readers who appreciate the power of language and history, this book serves as a masterclass in focused analysis.

The downside, however, is that length, coming in at 80 pages (really only half this, given the Appendices take up the other half) – it is a very quick read and will be over before you know it, leaving you wanting a bit more meat on the bones. However, as long as a prospective reader is aware of the book’s scope before purchasing, that it is a short, concise, focused examination, this feeling of disappointment should be easily avoided. Ultimately, The Greatest Sentence Ever Written is a clever, quick read. Readers interested in American history and Isaacson’s previous works should pick this one up.

Can Technology Fully Transform the Way We Experience Music and Visual Media?

CULTR Staff
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Can Technology Fully Transform the Way We Experience Music and Visual Media?

Digital tools now shape the way people create and enjoy songs, sounds and stories. Music production has changed with software, while visuals respond instantly to sound. Artists use platforms and devices that link senses in ways that always catch attention. It becomes clear that tech does not just help make content, it changes the structure of what music and visuals are allowed to be.

Apple Vision Pro brings sounds to life through movement

Apple Vision Pro helps artists reshape space with motion and audio at once. Music no longer comes from a speaker in one direction. It moves with your head. When a track plays, it follows gestures and guides attention.

This tool changes how each note feels based on body movement. People who use this see graphics hover or fall in line with beats. A bass line may pull a shape closer. A higher tone can make colour change. It acts like an instrument for both sound and sight. Artists like Anyma use it to build full stories inside these mixed formats. Their project ‘The End Of Genesys’ did that with spatial video. It was shot using phones, then shown with Apple Vision Pro to bring cyber worlds to life.

The shift in gaming showed what can follow

Game developers already took this step long ago. Popular titles now blend sound design with vivid art and complex storytelling. Just look at Cyberpunk 2077 or Alan Wake 2, where sound and visuals work together to form a complete, immersive experience. Every step, background voice, or flicker of light happens for a reason and builds mood with purpose. Music fades based on player location, and lighting shifts as storylines change.

This evolution is mirrored in online gambling, where slots have grown far beyond static reels. Visuals are packed with symbols from films, music, and famous personalities, often telling short, cinematic stories. These interactive, tech-driven features are highlighted in the best online slots in Canada reviewed by experts, showcasing games with high RTP, engaging designs, and rewarding gameplay.

This shows how technology has transformed what was once random and static into layered, intentional design. Symbols, reels, and music now move with logic and purpose, proving the industry embraced innovation to turn simple mechanics into rich, immersive experiences. The same shift continues across broader music and visual media, where sound and visuals evolve together.

Streaming tools let DJs become more than curators

Spotify, SoundCloud and other platforms already show what tech can shape when music meets audience demand. DJs make custom mixes that respond to what people follow or share. The ‘Mixed Playlists’ feature by Spotify proves this. It creates links between artist sets and listener patterns. That means every beat lands with intent.

This changes the role of the DJ. It creates a setup where sound meets feedback from thousands of people. A mix made on Tuesday sounds different on Friday, based on shared data. New genres form through this system. Small artists get found quicker. Everything moves fast, but also flows with clear taste.

Digital integration began with entertainment

In live shows, screens once ran preset visuals. Now they shift based on music. Sets by Alesso and Eric Prydz work like linked systems. When the bass drops, the screen reacts. As vocals rise, colours change to match the mood.

This is digital integration at work. Sound and visuals connect through software that reads input in real time. Each show becomes a new sequence, built on data coming straight from the music. The result feels precise and smooth, without delay.

That same logic now shapes other industries. What started with concerts now appears across other sectors. Businesses use tech to match content with live signals. This keeps things relevant, clear and sharp. It proves that digital tools work best when they react with purpose.

This shift already answers the question

The tech does not stay in the background anymore. It helps sound become shape. It lets artists use space, time and rhythm as one piece.

Audio and visual formats now evolve together.  With each update, tool and release, the connection between music and visuals grows smarter, sharper and more clear.

These changes do not replace the human side. They build on it. They give structure to imagination. That is how transformation looks when tech does the work people once guessed by instinct.

Review: New Limited Series ‘Task’ Is HBO Back At It’s Best

Oliver Tryon
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0
Review: New Limited Series ‘Task’ Is HBO Back At It’s Best

Set against the grey, industrial backdrop of the Philadelphia suburbs, Task centres on Tom Brandis, a weary FBI agent and former priest grappling with a fracturing family life. He is pulled back into the field to lead a task force dedicated to stopping a string of violent, high-stakes robberies targeting drug stash houses. On the other side of the law is Robbie Prendergrast, a sanitation worker who uses his garbage route to identify and rob these trap houses operated by a ruthless motorcycle gang.

The brutal nature of the series is eye-opening. The ups and downs the show has really hook you immediately into a high-pressure environment that feels dangerous and real. The acting is phenomenal across the board, with Mark Ruffalo delivering an understated yet powerful performance that balances internal grief with external duty.

What stands out significantly is the writing structure. The balancing of all the characters across all facets of the show was really well done. Despite the sprawling narrative involving federal agents, local law enforcement, and organised crime, the story never loses its focus on the people involved.

The quality of the storytelling is HBO at its best. This is one of the best shows from the network, taking us back to a time of Game of Thrones, The Sopranos and such. It is a must-watch. You will not be able to take your eyes off it.

Review: ‘The Long Walk’ Is A Dystopian Triumph Driven By A Talented Cast

Oliver Tryon
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0
Review: ‘The Long Walk’ Is A Dystopian Triumph Driven By A Talented Cast

Stephen King’s dystopian classics have always been difficult to adapt, but The Long Walk finally makes its way to the screen with a devastating emotional weight. The premise is simple yet horrifying: in a totalitarian future, fifty teenage boys (reduced from 100 in the book) participate in an annual walking contest. The rules are strict. They must maintain a consistent speed. If they slow down, they get a warning. After three warnings, they receive a ‘ticket’ which means immediate execution. The last boy standing receives ‘The Prize’—anything he wants for the rest of his life.

The film excels at making this premise feel terrifyingly real. It is a heartbreaking watch. The narrative forces you to bond with these characters, understanding their fears and their reasons for walking. You know the deaths are coming. You know that forty-nine of them must die for the story to end. Yet, you find yourself dreading every dropped mile per hour, wanting to avoid the inevitable.

The acting is stellar across the board. The young cast carries the weight of the film effortlessly, conveying the shift from bravado to exhaustion and existential dread without it ever feeling melodramatic. Their camaraderie makes the eventual loss of life feel genuinely tragic rather than just a plot point.

However, the film is not without its flaws. It would have been good to get further world-building. The focus is so tightly trained on the road that the surrounding society feels vague. We get glimpses of the crowds and the military presence, but a deeper dive into why this world exists and how the government maintains such control would have raised the stakes even higher.

Additionally, the ending feels a little underwhelming. This is arguably a hard landing to stick given the narrative limitations of the source material; the story is about the journey, not the destination. Even so, the conclusion feels abrupt and lacks the cinematic punch of the preceding acts.

Despite the quiet ending and the narrow scope, The Long Walk is a triumph of tension and performance. It is a brutal, memorable ride that stays with you long after the credits roll.

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