Steve Angello Releases High Energy Remix Of Basement Jaxx Classic ‘Where’s Your Head At’

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After becoming a standout weapon in his 2026 festival sets, Steve Angello has officially delivered his remix of the Basement Jaxx classic, ‘Where’s Your Head At’.

The remix, which officially landed today via XL Recordings, modernizes the 2001 anthem with a heavy-hitting, industrial-edged production that has been rattling mainstages since the start of the year. While Angello is known for his melodic progressive anthems, this rework leans into a raw, tech-driven energy that fits perfectly within his current sonic direction.

The track’s momentum peaked during the Swedish House Mafia takeover at Ultra Music Festival 2026. What began as a back-to-back set between Steve Angello and Sebastian Ingrosso evolved into a full SHM reunion with Axwell, even featuring a rare appearance by Eric Prydz.

Amidst a setlist packed with nostalgia and new edits, Angello’s take on ‘Where’s Your Head At’ served as a relentless bridge between the group’s classic big-room sound and the darker, underground influence he has been championing lately.

Speaking on the track, Steve Angello says “Basement Jaxx were a defining part of my youth, this track stayed with me through so many moments and really shaped who I became as an artist. I made a bootleg of it years ago, just out of pure love, so getting the chance to come back to it and release it as an official remix honestly means a lot. Full circle.” 

By keeping the iconic vocal hook front and centre while stripping back the original’s chaotic breakbeat for a more driving 4/4 rhythm, Angello has ensured the track remains a staple for the 2026 season. It arrives just as Basement Jaxx begins to resurface for their own highly anticipated live run, marking a perfect full-circle moment for the legendary record.

From Local Roots to National Impact: The Role of Volunteers in Shaping Democracy

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When was the last time you volunteered? If you’re looking for a way to get involved and support your local community, you can’t go wrong with volunteering. In fact, volunteers have played a pivotal role in building a strong and resilient democracy for centuries.

Whether you’re helping at a local polling station during an election or participating in a public rally for an environmental cause, you’ll be making a difference. Read on as we explore the role of volunteers in shaping democracy.

Beginning at the Local Level

While big rallies get all the attention on national news outlets, local efforts to sustain democracy may matter most. Volunteering for a cause or committee at the local level presents an opportunity to engage with community members in a more personal way. And when you’re trying to create a welcoming and prosperous community, being able to work well with your neighbors to make positive changes is key.

Maybe you have a growing homeless population or a school struggling to provide meals for students during holiday breaks. You can volunteer with a local nonprofit to package meals or care packages. Or you can travel to known homeless camps to provide hot meals on cold nights.

As a volunteer, you’ll be on the front lines helping your neighbors. And even the smallest contribution can make a big difference, especially when you’re working with other volunteers. You’ll get to know your neighbors and help discern your community’s greatest areas of need.

Volunteering can also help flatten hierarchies in communities. Government officials may seem detached from the community at times, but volunteering can help build bridges. Further, volunteers can come from all walks of life and socioeconomic positions.

Encouraging Community Members to Be Informed

Volunteering is all about engagement. You work alongside neighbors to support individuals in need or push for positive changes. Roughly 28% of the U.S. population over age 16 volunteers, meaning you’ll be in good company.

Volunteering helps you understand the pressing issues in your community. You can hold government leaders accountable for their actions. And with enough pressure, you might just be able to force significant changes.

Yes, music festivals and other local events can build bonds within communities. But rallying for a specific cause can forge even deeper connections.

Ultimately, volunteering can help encourage more active participation among community members. And if you’re the one volunteering, you might just be more likely to attend public meetings or cast your vote on election day. These actions are core parts of an active and strong democracy.

Helping Nonprofits Serve Communities

If you’re not sure where to volunteer, start with nonprofits in your community. Many nonprofits operate on tight budgets and don’t have a lot of money to fund necessary positions. And some nonprofits are run almost entirely by volunteers.

At nonprofits, volunteers can lend talents and unique skillsets that help these organizations expand their reach. Perhaps you’re a skilled communicator and can solicit donations through phone calls. Or maybe you can help staff fundraisers, mentor local kids, or lend your accounting knowledge.

Find a nonprofit with a mission that aligns with your interests. Most nonprofits welcome active participation, and in doing so serve as models of democracy. When you’re helping feed the homeless, assisting kids with homework, or advocating for a cause, you’ll be an active participant in the democratic system.

Making an Impact Nationally Through Volunteering

When you dip your toes into volunteering, you’re typically doing so in your local region. But even those smaller volunteer groups you join can grow in numbers, leading to national interest and momentum. When you’re passionate about a cause, the dedication can be contagious.

Historically, notable grassroots movements have enlisted lots of volunteers, and many of them started as much smaller efforts. The Abolitionist Movement of the 1800s and the 1960s Civil Rights Movement increased national awareness of inequities. Organizations like the Red Cross, which supports disaster relief, and the Peace Corps prioritize volunteer assistance.

Volunteers today continue to help highlight pivotal issues and unite like-minded people. But as volunteer teams grow, organizations need ways to stay organized and structured.

During election season, campaigns need an army of volunteers to spread their messages. With the right scaling strategies, organizations can onboard new volunteers quickly and see better campaign volunteer expansion results.

Offering Economic Value

Volunteers can mobilize movements, turning small causes into big ones. They can also help contribute economically. After all, volunteers are working for free.

Volunteers may provide medical services, for instance, that normally would cost hundreds or thousands of dollars. They can provide free tutoring or help nonprofits avoid paying for accounting services when tax time rolls around.

For cash-strapped nonprofits, volunteers fill talent voids. And nonprofits won’t be forced to pay a salary or benefits. In short, volunteers offer a vital boost to the nonprofits they serve.

Responding to Challenges

While volunteering can be a catalyst for change, sometimes the benefits aren’t enough to sustain momentum. Busy adults don’t always have time to volunteer on an evening or weekend. And many people simply don’t know about the volunteer opportunities available within their communities.

For volunteering to grow as a valuable practice, it needs to be more accessible and inclusive. Finding ways to attract younger volunteers, in particular, needs to be a focus going forward.

Recruiting and training volunteers can feel like a full-time job for nonprofits and other organizations. But nurturing a new generation of cause-minded individuals is essential for democracy to thrive.

With better outreach and more opportunities for connections, organizations can reach more volunteer populations. It’s also important for organizations to demonstrate their support for volunteers in order to retain them.

Building a Better Democracy

Volunteers provide a lot of impact, even if they’re not always recognized for it. Many volunteer opportunities aren’t flashy, but the people who take them on are committed and focused on making a difference. Whether in a small neighborhood group or as part of a national election campaign, volunteers contribute to a stronger democratic system.

The need for volunteers has never been greater. Nurturing new volunteer opportunities can engage citizens, build bridges, and contribute to a better world.

6 Ways Festivals Fight Heat and Mosquitoes

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Modern festivals are no longer just about the lineup; they are about surviving the elements. As climate patterns shift, event organizers are deploying sophisticated infrastructure to keep crowds from wilting under the sun or being eaten alive by pests. With 32 million people attending outdoor events in the US alone every year, it’s important to bake heat mitigation directly into permit and planning processes.

When you’re standing in the middle of a field with 20,000 other people, the “heat island” effect isn’t a theory; it’s an immediate physical threat. Leading with shade is the only way to keep the medical tent empty. Veteran planners are ditching basic canvas for nano-coatings that reflect 97.5% of solar radiation, ensuring that even temporary structures stay significantly cooler than the surrounding air.

High-Pressure Misting And Airflow

Air movement is the difference between a vibey afternoon and a heat stroke emergency. It isn’t enough to just have a breeze; you need active cooling that doesn’t ruin the expensive stage gear or soak the front row. High-pressure systems are the gold standard here.

By utilizing 1,000 psi pumps, misting systems can drop ambient temperatures by 15°F through flash evaporation. This process turns water into a fine fog that dissipates before it even reaches your skin, carrying the heat with it. Large-scale stage fans then push this chilled air across the crowd, creating a literal microclimate.

Effective pest management is the silent partner in attendee comfort. You can’t enjoy a headliner if you’re swatting at your ankles every ten seconds, which is why mosquito pest control solutions are now integrated into the pre-production timeline. Professional barrier treatments applied to the perimeter forty-eight hours before gates open create a chemical fence that keeps the population down without spraying during the show.

Lighting Spectra And Pest Logic

Mosquitoes are biological machines that respond to specific cues, and festival lighting often serves as a dinner bell. If you use the wrong bulbs, you are essentially inviting every insect in the county to the main stage.

The strategy involves manipulating the environment to be as unappealing as possible to a mosquito’s sensory array. To keep the bugs away, organizers are following these specific tactics:

  • Warm LED lights under 3,000 Kelvin are used to avoid the blue spectrum that attracts insects
  • CO2 lure traps are placed in the deep woods far away from the actual crowd paths
  • Standing water audits are performed daily to eliminate breeding grounds before larvae hatch

Lighting designers are now choosing “warm” palettes not just for aesthetic reasons, but because mosquitoes are highly attracted to blue light and UV light. Switching to warmer tones maintains high visual impact while keeping biting pressure low.

Timing The Peak Exposure

The most dangerous time for both heat exhaustion and mosquito activity is the transition between late afternoon and evening. This is the “danger zone” where the ground is still radiating heat, but the sun is low enough for mosquitoes to begin their primary feeding cycle.

Adjusting the schedule is a low-tech but high-impact move. Many European festivals, like Tomorrowland, are now implementing dusk-avoidance mandates to keep people in shaded, treated zones during these peak risk windows. By pushing the biggest acts to later at night, the temperature has naturally dipped, and the initial swarm has settled.

Hydration is the final pillar of this strategy. It’s a physiological reality that dehydration is common, with 78% of Gen Z festival-goers admitting they feel this way after attending festivals because people underestimate how much they sweat in a dense crowd. Free water stations and electrolyte-heavy concessions are the baseline, but the real pros are using “dance floor irrigation” to keep the dust down and the air humidified.

Managing The Outdoor Environment

Staying ahead of the environment requires a proactive stance rather than a reactive one. Whether it’s the chemistry of the barrier spray or the physics of the misting fan, every detail counts toward the collective safety of the audience.

Building a resilient event space means acknowledging that nature is an active participant in the weekend. For more insights on enjoying festival season, including which events are worth attending, read more posts on our site and get your cultural fix in comfort.

Coachella Festival Reveal 2026 Set Times

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The desert is calling once again. With the set times for Coachella 2026 now officially live, it is time to map out your weekends at the Empire Polo Club. This year marks a significant milestone for the festival, and the schedule reflects a massive blend of pop dominance, legacy rock, and some history-making debuts.

Sabrina Carpenter takes the Friday slot on the Coachella Stage following a massive year with ‘Short n’ Sweet’ and her latest project ‘Man’s Best Friend’. Her set is expected to be a high-production pop spectacle to kick off the weekend before Anyma closes out the main stage with a midnight performance of his new ‘Æden’ show. Friday also features a heavy electronic presence with Disclosure on the Outdoor Theatre and a late-night set from Sexyy Red in the Sahara. On Saturday, Justin Bieber makes a major return, marking his first US concert in nearly four years with an 11:25 pm headline slot. Earlier that evening, The Strokes take the stage at 9:00 pm, while David Byrne holds down the Outdoor Theatre. Closing out the festival on Sunday is Karol G, who makes history as the first Latina artist to headline Coachella at 9:55 pm, following a performance by Young Thug.

The dance music programming for 2026 is particularly deep, spanning everything from mainstream house to underground techno. On Friday, the Sahara stage hosts the high-energy debut of KATSEYE and a late-night appearance by Marlon Hoffstadt, while the Yuma tent features a closing set from Kettama. Saturday is a massive day for electronic fans, highlighted by the debut of Nine Inch Noize (a collaboration between Nine Inch Nails and Boys Noize) at 8:00 pm in the Sahara. Over in the Yuma, Armin van Buuren and Adam Beyer team up for a rare back-to-back set from 9:00 pm to 11:00 pm, followed immediately by Boys Noize. Sunday keeps the momentum going with a sunset performance by Major Lazer on the main stage and Kaskade taking over the Sahara at 10:45 pm. Other notable dance acts include Fatboy Slim closing the Quasar stage on Sunday and a special appearance by the drum and bass supergroup Worship.

As you start circling names on your set times, keep the logistics of Indio in mind. Desert days in April often soar past 38°C (100°F), but the temperature drops rapidly once the sun goes down. It is vital to pack layers and a bandana to protect against the evening dust. Since mobile service is notoriously spotty with over 100,000 people on-site, you should pick a specific landmark and a re-group time with your crew before you even enter the grounds. Hydration stations are free and scattered throughout the venue, so bringing a reusable bottle is the best way to avoid expensive plastic options. If you find yourself facing a difficult set time clash, keep an eye on the Localchella schedule, as many artists will play sideshows in Pomona or Los Angeles between the two weekends.

Review: RAYE Eradicates Second Album Syndrome With ‘This Music May Contain Hope’

Few transformations within the music industry have been quite as arduous as that of RAYE, the British singer-songwriter who has been a mainstay with fans of dance music for over a decade now. Having featured on Jax Jones’ club smash ‘You Don’t Know Me’ in 2016, the Tooting-born songstress has climbed the ladder to stardom the hard way, with features across David Guetta & MORTEN‘s Future Rave sound, via ‘Make It To Heaven, and her 2021 collab ‘Bed‘ with Joel Corry & that man Guetta again, which RAYE herself labelled “really very boring” in an interview with Louis Theroux, adding “It’s not my favourite song but my bank account loved it.”

Fast forward to 2026, and in a week where Ye launched his own album of the year contender, it is RAYE who has struck gold in the official album charts, with her second studio album (‘This Music May Contain Hope‘) taking the number #1 spot. Ironically, after her debut album, 2023’s ‘My 21st Century Blues‘, could only peak as high as number #2. In the resulting gap prior to this sophomore release, RAYE has skyrocketed, exponentially. Sweeping up at the BRIT Awards with a whopping 7 gongs, the Londoner is now a firmly bona-fide member of the A-List, with ‘This Music May Contain Hope’ proving that artists of this calibre are seemingly immune to the ‘second album syndrome’. What follows, is a show-stopping and extravagantly grand statement, from an artist determined to step outside ‘the box’ at every given opportunity.

Set to orchestral strings, RAYE begins her assault through musical maximalism with album opener ‘Girl Under The Grey Cloud’ where her spoken word sets the scene – as it does, so often throughout the album – for this 17-track and 73-minute concept album which swings wildly between RAYE‘s penchant for those woozy soul-induced Paloma Faith-style numbers, (and obvious Winehouse comparisons), to the smartly lyrical observations on modern life, much closer to the Lily Allen mould. An ode to romantic woe in the face of ‘seven negronis’, the latter is – perhaps – This Music May Contain Hope‘s most glaring flaw.

Having broken free of the ‘making music for the All Bar One & Love Island girlies’ narrative with her early mainstream pop-bangers, RAYE‘s maturity into the role of jazz-heartthrob is so much more refined than the often constant ‘I met a d*ckhead boy’ narrative, which she displays on tracks like ‘The Whatsapp Shakespeare‘, and ‘Beware… South London Lover Boy‘, burping out dialogue on the irresistible scumbag who will ‘Lime bike to your doorstep, spliff hanging from his lips’. At the ripe age of 28, RAYE‘s own judgement on romantic suitors should’ve gained so much more wisdom than that possessed by the target demographic she’s so desperately trying to please (ironically, All Bar One and Love Island girlies).

And yet, for every flicker of immaturity, there’s the unexpected leap to dramatic West-End style productions reminiscent of Hollywood’s golden era, smatterings of fourth-wall breaking lyrics (“I told you this was a sad song, I did try to warn you!”), and heartfelt personal dialogue between the singer and her Grandfather through ‘Fields‘. On ‘Life-Boat’, an array of voices repeat the mantra “I’m not giving up yet” above an emotive, goosebump-inducing ‘Fred Again..’ style dance-beat, whilst ‘Where The Hell Is My Husband’ (though now competing with Pharrell‘s ‘Happy’ for the title of ‘most overplayed track of all time’) is a brutal reminder of RAYE in peak flow.

Her pièce de résistance, outside of the buttery smooth ‘Goodbye Summer’ featuring Al Green, arrives in the shape of another all-star collaboration, as Oscar-winning composer Hans Zimmer is remarkably recruited (a literal snapshot of RAYE‘s current status) on the percussive ‘Click Clack Symphony’, a percussive production taking its name from the power behind the sound of high heels. “It’s about those times in our life when you need your best friends or your siblings to drag you out of the house and say ‘I know you’re not in the best place right now but we need to get outside,’” RAYE explained. In this case, Zimmer’s iconic swelling orchestration provides the perfect backdrop, ahead of album closer ‘Fin’, which lasts six minutes… Four of which consist of RAYE reading out the production credits.

Whilst busy, and often suffocated in mounds of arranged instrumentation, exposition and narrating, ‘This Music May Contain Hope’ battles through smothered areas to allow enough breath for the vast majority of tracks to soar. Loud and overbearing? Perhaps. But authentic, and unique? Most certainly. Though her innovation and unapologetic style, RAYE seperates herself from an otherwise dreary landscape of artists within the industry right now to stand elevated at the summit with yet another ‘Album of the Year’ contender.

Top 10: Haribo Products [RANKED]

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Kids and grown-ups love them so, but in the happy world of Haribo, WHICH products actually slap like peak Will Smith on Chris Rock, and which are a waste of your hard-earned pocket-money/wages/life savings?

Let’s kick off the Top 10 countdown with…

10. GIANT STRAWBS

An under-rated member of the Haribo family, the straws are a strict no-go when it comes to cups of pix & mix, on account of their rigid, and somewhat bloated size. But when it comes to a bag of cheeky Hazzas, their waxy texture and fruity juice burst cement a spot as a valued tenant of the community.

haribo

9. TWIN SNAKES

Similar to their rivals over at the Natural Confectionary Company, Haribo come out swinging with their snakes, but on this occasion, mix things up by adding a ‘1 side sweet, 1 side sour’ plot-twist to proceedings. A true Sixth-Sense style slice of madness, but we’re here for it.

haribo

8. HAPPY COLA

Sometimes, the classics are the best. A coffee in the morning(s), a cup of Horlicks in the evening(s), and a delicious milky English breakfast tea (just about any time of the day). But when it comes to sweets, there’s only one drink we’re interested in, and that’s the familiar taste of cola flavouring wrapped inside a vortex of gelatine.

haribo

7. TUTTI FRUTTI

Unpopular opinion of the day… These little fellas are absolutely elite, even if their texture isn’t always friendly for those on the more neuro-spicy end of the spectrum (believe me, I know). If you can get over their odd coating, you’ll find a squirt of tropical heaven bursting all over your tongue (ooh er!), teaching the valuable life lesson that there’s something good in all of us.

haribo

6. SODA TWIST ZING

Okay, it might be time to delete the sentence at number 8 where ‘cola’ was the only beverage we want in our Haribo, because in at number 6, is the crazy amalgamation of a fizzy sour bottle-shape, packed with cherryade, lemonade, and other-ade flavours. It’s a mad scientist’s taste sensation.

haribo

5. JELLY BABIES

When it comes to Hazzas, what is the part we always look forward to most? The babies! (Alright, Epstein…) And here, Haribo give the fans what they want by plucking these delicious little freaks out of their ‘Super Mix‘ home and plonking them in together in a confectionary embodiment of ‘squatter’s rights’.

haribo

4. GOLD BEARS

Weirdly refreshing, mind-numbingly sweet, and dangerously capable of becoming a choking hazard if particularly starving when consuming, The Gold Bears are the O.Gs. They’ve been there, done it, and got the acclaim to show for it, since 1922. Technically, Adolf might have even munched on these in his bunker. It’s a possibility.

haribo

3. SUPER MIX

It’s giving… Milk bottles. It’s giving…. Anti-Hyrox friendly, on account of how addictive and insanely more-ish these little gems are. They’re now even available in a ‘Share’ size bag. But to be honest, there’s more chance of hungry snackers wanting to share a blood transfusion before sharing any of these.

haribo

2. STARMIX

When you hear the word ‘Haribo‘, there’s a very strong chance this is the packet you imagine in your mind’s eye, and for good reason. Packed with all the ‘best bits’ from the brand, including the foam ‘fried eggs’, and those weird dummy/ring things, you can never go wrong with a bag of Starmix.

haribo

1. TANGFASTICS

As Britney Spears once said… Give me, give me more, give me more, give me give me more. From the moment you savagely rip a corner of this packet off on account of never quite being able to undo them ‘properly’ like a bag of crisps, the euphoria hits your soul like peak-Jon Hamm. The undisputed Kings of the Haribo world, and if you don’t agree, we’re gonna check your hard drive.

haribo

Which bag is your favourite Haribo? Hit us up, and start the debate!

Review: Ye’s ‘Bully’ Is The Best Kanye Album In 16 Years

It’s hard to be Ye.

When Kanye‘s popping out seminal albums like 2010’s ‘My Beautiful Dark Twisted Fantasy’ (arguably the greatest masterpiece of not just his own career, but the modern hip-hop generation), he’s labelled a narcissistic ego-maniac. When he’s airing his more vulnerable side in 2018’s vastly under-rated ‘Ye’ (featuring the iconic ‘I hate being bi-polar, it’s awesome’ artwork), his critics clamour for a return to his radio-friendly sound, questioning the lack of commercial melodies and Chris Martin collaborations. Fast forward to 2026, and in the form of ‘Bully’, the internet is suffering from an extreme inability to separate the man (and his various controversies in recent years), from the music. The latter, is the strongest Ye showing since Kanye‘s sparkling pièce de résistance, 16 years ago.

Gone are the half-baked ideas from 2021/22’s self-pitying ‘DONDA‘ & ‘DONDA 2’, and the messy unfiltered grunge from Ye‘s collaborative projects with Kid Cudi (‘Kids See Ghosts‘) and the gothic vulgarity of ‘Vultures‘ alongside Ty Dolla Sign. What remains, feels like the rebirth of Yeezy. West treats listeners to a whistle-stop tour of his ‘best bits’, combining his classic soul samples, with the big rasping beats and brash electric guitars of 2013’s ‘Yeezus‘. The release of ‘Bully‘ not only marks West‘s first solo album in more than four years, but also comes via a brand-new label partnership with Gamma, where Ye reunited with an old friend in Larry Jackson, who worked as an executive at Apple Music in the mid-2010s. The result of this reunion casts Kanye back into his ‘MBDTF’ era, amid a return to live shows with his SoFi Stadium performance on 1st April serving as West’s first U.S. stadium shows in nearly five years.

Packing a punch from the off, Ye‘s 12th studio album ignites with the aptly-titled opener, ‘King‘, bringing that ‘Black Skinhead‘ vibe, thanks to a fuzzy bass-line, wubbing with intent and throbbing effortlessly into Bully‘s sophomore production ‘This Is a Must’, which features playful lyrical pop culture reference, ranging from Donald Trump to Amy Winehouse. At just 1:26 in length, the track is an embodiment of a uniquely feeling ‘slim’ play-length of 42:35 across the whole album, despite a somewhat-bloated trackless of 18 potential singles. By the time ‘Bully‘ reaches the tail-end of its first act, Ye has truly hit peak flow-state, reeling off a consecutive trio of ‘Punch Drunk(a playful number hit with chops of children’s chorus which wouldn’t sound out of place on ‘Graduation‘), ‘All The Love (feat. Andre Troutman)(a superbly slick talk-box led production soaked in gorgeous retro synths from the ‘808s & Heartbreak‘ chapter), and the irrepressible ‘Father‘ alongside Travis Scott.

The video alone for this stellar piece of artistic storytelling has already surged to 10m+ YouTube views within a few days of release, cementing a spot as one of the most unique visuals in modern music. Aliens, conspiracies, and Michael Jackson-impersonators aside, the audio matches – and even threatens to overshadow – the visual art, such is the production prowess of Ye as he pairs gospel tones with a thudding beat which drops in with both purpose and menacing intent. ‘Bully‘ isn’t flawless, though, and for every ‘Father‘, there’s still the inconsistency of a track like slick R&B ballad ‘Whatever Works‘ which ironically, doesn’t quite work in this order of tracks, providing the slow and woozy sorbet of a ‘Slow Jamz‘ feel, after the chaos of the afforementioned trio.

Bursting into the second half of ‘Bully‘, West peels back his ‘Ye‘ mask to show a snippet of the vulnerable Kanye with a beautiful tribute to his mother on ‘Mama’s Favourite‘, snipping affirmations from her voice, taken from 2022 documentary ‘jeen-yuhs‘, before launching into the surprising sample of ‘You Can’t Hurry Love‘ by The Supremes. Focusing on themes of personal growth, the track – produced by Ye and 1SRAEL, includes a second verse created with an AI deepfake filter of West‘s own voice, showing his innovative streak certainly hasn’t dwindled in the face of public opinion of his persona. It is, in fact, tough to recall a Kanye album quite so heavy on the sampling side, with ‘Sisters and Brothers’ again remarkably maximising a classic (this time, Jonah Thompson‘s ‘Get Involved‘), and ‘White Lines‘, which prominently uses a live talkbox medley of Stevie Wonder‘s 1972 cover of The Carpenters’ hit ‘Close To You‘.

Andre Troutman deserves immense praise for the refreshment his inclusion on ‘Bully’ delivers, and likewise, the addition of CeeLo Green is a masterstroke from Ye, a full 16 years after the pair were competing in Billboard charts for a number #1 position shared by Ye‘s ‘Power‘ and CeeLo‘s ‘Forget You‘ in Autumn 2010. Bringing a real Western feel to the album lead track ‘Bully‘, Green‘s domineering vocal is underpinned by the haunting sounds of saloon doors swinging open in a score which would feel right at home in Ryan Coogler‘s ‘Sinners‘ and is inter-pierced by a cruel laugh which sounds akin to the classic catchphrase of Nelson Muntz in The Simpsons.

Dig to the core of ‘Bully‘ and opinion will be, rightly, split. In one camp, the scathing reviews of certain critics, who condemn Ye‘s “Cheap hit of retro-Kanye, custom-designed to please the diehards exhausted by his noxious antics” in reviews which spend 90% of paragraph space referring to West the person (Nazi references included), whilst the internet (and social media in general) is unanimous in the opinion that this ‘cheap hit’ is a welcome return to form for a rejuvenated being who is now finally finding his own soul once again following the devastation of his divorce (‘Damn‘ feels like an ode to Kim as he ushers the line, “Baby did you laugh today? I gave it all I had… At least I gave you that”). Make no mistake about it, ‘Bully‘ doesn’t quite possess the same gloss or raw authenticity as ‘The College Dropout’ and ‘Late Registration’, nor is it a 100% hit rate like the phenomenal freak of ‘MBDTF’ where literally every production on the track-list was as near to perfection as modern hip-hop fans are ever likely to encounter.

‘Bully’ has weak moments; The soothing lullaby of ‘Highs & Lows’, or the reflective nature of ‘Beauty & The Beast’ feel diluted, but for every wistful melody on ‘Bully‘, there’s also the experimental Latin-dance approach of Hispanic number ‘The Last Breath‘ with Peso Plum, the sharp-lyricism of ‘Preacher Man‘ (“The only G.O.A.T, the genius one!“) and the emotive feel of album outro ‘This One Here‘. Ye, the man, will continue to antagonise based on the history of his own remarks (his 2025 post on X: ‘My d**k too long for trans p***y’ has resulted in a blue backlash), but Ye the musician has not only just dropped his finest work since ‘My Beautiful Dark Twisted Fantasy‘… But potentially, as he also did in 2010…

The Album of the Year.

‘Bully’ is out now, on all streaming platforms.

Electronic Meets Classical as Symphony of Unity Releases ‘Orchestral Selection I’

The Symphony of Unity has officially released its new album, ‘Orchestral Selection I’, bringing a unique blend of classical and electronic music to listeners worldwide. This debut recording serves as a significant milestone for the project, featuring a curated list of symphonic reinterpretations of iconic dance anthems. The tracklist includes orchestral takes on legendary hits such as ‘Insomnia’ by Faithless, ‘Reload’ by Sebastian Ingrosso and Tommy Trash, ‘Universal Nation’ by Push, and ‘Mammoth’ by Dimitri Vegas & Like Mike.

The album also provides fresh perspectives on melodic masterpieces like ‘All That Matters’ by Kölsch and ‘In My Mind’ by Axwell, Feenixpawl and Ivan Gough. By moving these tracks from the festival mainstage to a symphonic setting, the release allows fans to experience the energy of electronic music through a different lens.

The ensemble behind the music consists of approximately 50 musicians led by conductor and composer Kevin Houben. Their work focuses on bridging the gap between traditional orchestral arrangements and electronic sounds, aiming to create an immersive experience that promotes values of diversity and collective empowerment.

The profile of the Symphony of Unity has grown rapidly following several high-profile appearances at Tomorrowland’s Freedom Stage. Their 2024 performance drew a record-breaking crowd for that specific stage, with similarly high attendance figures recorded throughout 2025. These milestones have helped the project expand its reach into regions including Belgium, Amsterdam, Dubai, Las Vegas, and Brazil. As the group prepares for upcoming world tours, the release of ‘Orchestral Selection I’ reinforces their mission of proving that music can transcend genre boundaries.

New Dance Sounds: Hardwell, Eli Brown & Pan-Pot + More

Dive in below to engross yourself in fresh new music that has been released today, you might even find your newest favourite!


Hardwell & braev – Believe [Revealed]

Premiered by Hardwell at Ultra last weekend, his collaboration with braev has officially arrived. The atmospheric anthem dives into a hard-hitting main room drop that feels a bit more refreshing than other recent Hardwell drops.


Eli Brown & Pan-Pot – Coming In Heavy [Arcane]

Eli Brown celebrates 100 releases on his Arcane label with Pan-Pot collaboration ‘Coming In Heavy’. The techno anthem has both angelic vocal sounds through the drops and a gritty vocal through the breaks. It’s a sick way to mark the occasion.


Jason Ross & TW3LVE – Let Go [Lost In Dreams]

Jason Ross is back with TW3LVE for ‘Let Go’. The melodic record is another terrific offering from Ross, who can do no wrong. The track feels like a great radio record that still feels perfect for fans.


KRITIKAL – Muevete [CruCast]

KRITIKAL lands on CruCast for the first time for ‘Muevete’, a high-impact single merging rolling Drum & Bass foundations with Latin rhythmic energy to create an epic result. Following a play from Andy C at Ultra, this will be a big one.


Julian Gray & Colleen D’agostino – HIGHER PLACE

Julian Gray unites with Colleen D’agostino for the brilliant ‘HIGHER GROUND’. The progressive, melodic anthem is terrific. Anything Colleen touches turns to gold, it helps when that gold is an already great instrumental.


Remix Of The Week: TOMORA – SOMEWHERE ELSE (salute Remix) [Universal]

TOMORA, the new duo comprising of Tom Rowlands of The Chemical Brothers and Norwegian singer-songwriter AURORA tap the talented salute to remix ‘SOMEWHERE ELSE’. They bring a super fun vibe to the track and highlights the catchy vocal from the original.

Anyma Kicks off ÆDEN Era With Joji Collab ‘Beautiful’

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Anyma has officially entered a bold new chapter. The multidisciplinary visionary has teamed up with Joji for a massive collaboration, ‘Beautiful’, marking the dawn of the ÆDEN era.

Driven by pulsing melodic rhythms and cinematic atmospheres, the record reveals itself as both a club-ready anthem and a cathartic listening experience. Co-produced by Dimitri Vangelis and Wyman, you can hear their melody talents shine through. Production credits also include BloodPop and Klahr.

On the new song, Anyma explained on Instagram: “I know it’s been a quiet period for me. Over the last 6 months I’ve been taking everything in, processing, and building something entirely new. After 20 years of nonstop touring, I felt the need to step back and focus on the art. Sometimes you have to reset to evolve. This record is the result of that process, and I truly feel it’s some of my best work yet.”

The world will get its first live look at this new era when Anyma headlines Coachella. His set is one of the most anticipated of the festival, promising a fully immersive audiovisual experience that will set the stage for his global takeover.

Immediately following the desert debut, the ÆDEN World Tour will travel to 12 countries. The run of dates will bring his all-new live show to Asia, the Middle East, Australia, and Europe.

Anyma is also returning to the White Isle for a massive summer residency. He will take over [UNVRS], the world’s first hyperclub, for a full summer residency on Tuesdays.