SIDEPIECE Surge Through Miami With Massive Support for “Cash Out”

SIDEPIECE just pulled off the kind of Miami run that people talk about all year. “Cash Out” completely took over Ultra in 2025. From mainstage to after-hours, the track became a live set staple in real time. Fisher took it deep into the night at Club Space. By the end of the week, “Cash Out” it was the record that people were talking about.

The crowd reactions during John and Dom’s Ultra set were instant. TikTok filled up with clips, with fans catching those massive drops and vocal flips that had people jumping on IDs mid-set. Fisher’s play at Space only magnified the momentum. You don’t get plays like that on accident.

@youasidepiece

swear to god all we do is cash out (spread love and joy)

♬ original sound – SIDEPIECE

This is SIDEPIECE in peak form. The duo—made up of Grammy-nominated heavyweights Nitti and Party Favor—have made a career out of releasing records that DJs trust and crowds lose it to. With over 3.6 million monthly listeners on Spotify, they’re pushing consistent numbers that align with their real-world momentum. Their breakout single “On My Mind” cleared 300 million streams and still gets rinsed like it dropped last week. Add in their remixes of “Deep End” and “A Milli,” plus originals like “Ménage À Trois,” “Elektro,” and “Fuck It Up,” and you’ve got a catalog built for long sets and packed rooms.

But “Cash Out” is different. A mix of clean swing, vocal cheekiness, and a groove that latches on instantly is at the forefront. It feels stripped-back in the right ways, made to flex between peak-time tech and low-ceiling sweatbox energy. And more importantly, it’s being used that way by DJs at the top of the food chain.

As we roll into peak festival season, it’s clear this record’s not fading. With the kind of immediate co-signs it’s already picked up, “Cash Out” is set to be one of the tracks that sneaks into every corner of club culture – from the massive stage moments to the underground.

That’s the real power of SIDEPIECE right now: they know who they are, they know who’s playing their music, and they know exactly how to keep the pressure on.

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