This week’s Discovery Mix highlights a group of artists exploring a range of electronic styles, from experimental bass to melodic techno and vocal-driven downtempo. Aydose introduces a technical and rhythm-forward release on Grand Alliance Music. HYPNOZA and Jordan Grace collaborate on a melodic bass single that emphasizes structure and vocal clarity. Innellea joins Goom Gum for a track centered around layered production and thematic consistency. STVG and TYNAN release a bass-heavy collaboration focused on dynamic shifts and sound design. Karasu Merodi offers a quiet, ambient composition shaped by narrative and minimalism. Star Monster delivers two new bass-driven releases designed for large-scale live performance. Together, these selections provide a focused and versatile look at current electronic music output.
Aydose – “Doof Science”
Aydose’s “Doof Science” is a structured, high-detail experimental bass track released via Grand Alliance Music. Built on sharp percussive programming and unconventional rhythmic patterns, the single merges technical design with club energy. Aydose’s production approach prioritizes movement and sound design, making the track functional for live settings while maintaining creative depth. The Australian artist continues to develop a distinct sonic identity within the experimental space. His catalog reflects a commitment to rhythmic complexity and off-grid sound layering. “Doof Science” supports this trajectory while expanding on previous ideas. It stands out for its clarity, pacing, and originality.
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Innellea & Goom Gum – “Childhood”
“Childhood” is the first single from Innellea’s new label We Belong, created in collaboration with Goom Gum. The track incorporates emotional melodic development with structured techno sequencing. Focused around a progressive build and thematic atmosphere, it is designed for long-form listening and large venues. The collaboration blends Innellea’s established style with Goom Gum’s rhythmic sensibility. The track also anchors the upcoming We Belong compilation project. As the lead release on the label, it demonstrates the intended tone and direction of future releases. “Childhood” presents a refined balance of sound design and structure.
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Keys N Krates – “RUAFREAK” (ft. Afrique Like Me & 96Vibe)
Toronto trio Keys N Krates launch their new label Odd Soul Sounds with “RUAFREAK,” a tribal-influenced club track created in collaboration with Afrique Like Me and 96Vibe. The track features layered percussion, Afro-Caribbean rhythms, and a minimal vocal hook, emphasizing movement and rhythmic energy over melody. Built for late-night dancefloors, the release reflects the label’s mission to highlight groove-driven house with roots in hip-hop, R&B, UK garage, and tribal music. Afrique Like Me contribute their signature pan-African perspective, while 96Vibe brings a stripped-down, polyrhythmic approach shaped by his background in tribal house. “RUAFREAK” represents both a creative collaboration and a strategic foundation for the label’s future catalog. It is designed to be functional for DJs while offering clear artistic identity. With this release, Odd Soul Sounds enters the scene with a clear message and focused direction.
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STVG & TYNAN – “RAIN”
“RAIN” is a new collaborative single from STVG and TYNAN, set for release on May 16, 2025. The track opens with a tense, cinematic introduction and quickly escalates into aggressive, bass-heavy drops marked by intricate sound design and rhythmic force. The second drop shifts into a sustain-driven sequence that highlights the duo’s technical range, followed by a melodic outro that adds contrast to the track’s otherwise heavy tone. STVG describes the collaboration as a deliberate departure from TYNAN’s typical sound while retaining his detailed production style. The release arrives as STVG prepares for a major U.S. run, including a Red Rocks performance this fall, while TYNAN continues with headline shows and an appearance at iLLfest. “RAIN” reflects both artists’ interest in expanding their sonic identities through unexpected collaborations. It is structured, high-impact, and well-suited for live environments.
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Karasu Merodi – “Let Me In”
“Let Me In” by Karasu Merodi is a subdued, ambient release focused on internal reflection and quiet tone. The track is shaped around a fictional character concept, serving as a metaphor for the artist’s emotional process. Synth layering and a restrained beat support the track’s atmosphere, creating space rather than momentum. Karasu Merodi has been featured on STMPD RCRDS Radio and Hexagon Radio, steadily building a presence in the ambient and downtempo scenes. “Let Me In” continues this path by maintaining a soft dynamic range and minimal structural shifts. The artist’s strength lies in concept development and consistent aesthetic choices. The track operates best in focused, solo listening environments.
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Star Monster – “Don’t Fear the Reaper”
Star Monster presents a melodic rework of “Don’t Fear the Reaper,” expanding his production scope while maintaining his bass-forward identity. The track blends dark atmospheres with bright synth leads and structured drops, offering a more introspective approach than his usual releases. It balances high-impact energy with clear melodic phrasing, designed for both headphone listening and stage play. This release supports his ongoing Crunchiverse concept while showcasing a more emotionally resonant side of his work. With performances alongside Liquid Stranger and Boogie T, Star Monster continues to evolve his sound without losing connection to his core audience. “Don’t Fear the Reaper” signals that evolution clearly and effectively. It stands out as a refined moment within his catalog.
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HYPNOZA & Jordan Grace – “Heart of Stone”
“Heart of Stone” is a collaborative single between HYPNOZA and Jordan Grace, blending structured melodic bass production with lyrical emphasis. Grace’s vocal performance supports the track’s emotional center, while HYPNOZA’s arrangement focuses on clarity and harmonic balance. The result is a midtempo track designed to highlight vocal phrasing without overproduction. Jordan Grace is known for collaborations with Blanke and ARMNHMR, while HYPNOZA continues to build momentum in melodic bass. “Heart of Stone” fits well into curated playlists and radio mix slots. It reflects both artists’ strengths in blending structure with accessibility. The track presents a clean, consistent release strategy aimed at long-term rotation.
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Star Monster – Enter The Crunchiverse Mixtape
Star Monster’s Enter The Crunchiverse Mixtape marks a major step in his creative direction, combining newly released material with previously unreleased tracks to shape a complete listening arc. The mixtape balances aggressive dubstep drops with melodic transitions, cinematic intros, and ambient interludes that deepen its narrative effect. Designed for live integration and repeat listening, the project expands the Crunchiverse not just in sound but in structure. Star Monster has built a reputation through performances with Liquid Stranger, Boogie T, and Mersiv, and this release supports that growth with artistic focus. The mixtape reflects a producer who is not only building bass-forward tracks, but also curating a world for them to live in. Each section of the tape feels deliberate, interconnected, and reflective of a broader vision. Enter The Crunchiverse is a beautiful invitation into a cohesive artistic universe.
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