Around The World with WEISS: Los Angeles, Ibiza, and Barbados

Omar Serrano
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Around The World with WEISS: Los Angeles, Ibiza, and Barbados

After emerging onto the scene in 2013, WEISS has ascended through the dance music ranks at an impressive rate, receiving support from a host of legends ranging from Armand van Helden, Eats Everything and Carl Cox to Elton John along the way. His 2018 hit single ‘Feel My Needs’ took the world by storm, reaching #1 in both the BBC Radio 1 Dance Chart and ARIA Club Chart (also being voted the #1 track for the year), and winning ‘Best Track’ at the DJ Mag ‘Best of British’ awards.

WEISS has circled the globe countless times to complete tours worldwide, in the latter part of 2019 he embarked on his biggest ever tours of North America and Oceania covering 30 dates across 7 weeks. It is this connection that brings WEISS and his experiences to CULTR. We present, WEISS’ Around The World.

Los Angeles

California

The mad thing is I wasn’t originally the biggest fan of LA but I’ve fallen in love with it more and more over the years. The restaurants are incredible and if you’re lucky & get an offer to party at someone’s house in the hills, then take it!! 

Ibiza

Spain

It’s always a No.1 go to place for me to party with my friends during the summer. Not only is the nightlife amazing but Old Town is a real mix of old & new with a chilled atmosphere and beautiful restaurants. 

Barbados

Carribbean

Barbados has a special place in my heart: I went there as a kid and love the beaches & crystal clear water. Waking up in the morning and finding yourself surrounded by red crabs and swiminning with the turtles is a memory I’ll never forget.

Exclusive: OTR Breaks Down Debut Album “Lost At Midnight” Track by Track

Omar Serrano
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Exclusive: OTR Breaks Down Debut Album “Lost At Midnight” Track by Track

OTR has just embarked on his most fulfilling venture in his young career thus far. With the release of his debut album “Lost At Midnight” via Astralwerks, it is exciting to see the artist’s vision finally coming to fruition. Featuring artists like Panama, Shallou, Vancouver Sleep Clinic, Au/Ra, and more, the 12-track LP serves as a digital embodiment of the talent rooted in the 26-year old aerospace engineer-turned-producer.

The captivating project will throw you into a whirlwind of emotions as you are captured by the records alluring atmosphere. Offering enchanting soundscapes, melancholic chord progressions, and catchy toplines along the way, “Lost At Midnight” evidently reaches the peak of electro-pop. Pulling you by the heartstrings, OTR effortlessly transports the listener into a pit of vulnerability which is the very essence as to why the album is incredibly addictive to listen to in the first place. Finally showcasing his genius to the world, we can safely declare that this is OTR’s moment.

“Writing the album over the last two years was an incredible experience. Now that it’s out, I’m happy to see people empathize with the raw emotion I put into each track, signifying different points in my life.” – OTR

With all that being said, what better way to pinpoint the significance of this album than to hear it from the artist himself. Hear the story of how he put this all together in the track-by-track breakdown below.

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Shawn Mendes and Camila Cabello’s “Senorita” Breaks Record On Spotify

Oliver Tryon
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Shawn Mendes and Camila Cabello’s “Senorita” Breaks Record On Spotify

Shawn Mendes and Cuban born Camila Cabello released their joint single, “Señorita,” last week via Island Records. The song achieved instantaneous success worldwide rocketing to #1 on Spotify’s Global chart as the biggest single-day debut of a male/female duet ever. The video garnered 50 million YouTube streams in the first 48 hours of release while trending #1 around the globe. Other notable chart #1s include Spotify US Chart, iTunes, Apple Music Pop and Apple Music’s Top Videos.

GRAMMY nominated Toronto born multi-platinum singer/songwriter Shawn Mendes released his highly anticipated self-titled third album in May 2018. The album debuted at #1 on the Billboard 200 album chart as well as multiple additional worldwide markets, including Australia, Canada, Mexico, Belgium, Holland & more and shot to #1 on iTunes in more than 80 countries immediately upon release. The album became one of the top best-selling album debuts of 2018 and made Shawn the third youngest solo artist to ever have three consecutive #1 albums.

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Multi Grammy nominated Cuban born singer/songwriter Camila Cabello (Epic Records / SYCO) released her debut solo album, CAMILA in January 2018 to rave reviews. It debuted at #1 on the Billboard 200 chart at the same time as her single “Havana” Reached #1 on the Billboard Hot 100 chart, making Camila the first solo artist in nearly 15 years to reach the #1 spot on the Hot 100, Billboard 200 and Artist 100 charts in the same week. The RIAA platinum-certified album, CAMILA, launched its debut at #1 on 110 iTunes charts around the world, breaking the record for most #1 positions for a debut album in iTunes history. Camila also became the #1 artist on global Spotify.

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senorita.lnk.to/OutNow

Ferry Corsten Releases The Latest UNITY Collaboration with BT on ‘1997’

Oliver Tryon
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Ferry Corsten Releases The Latest UNITY Collaboration with BT on ‘1997’

Ferry Corsten is back with his latest ‘Unity’ collaboration, after releasing the last one with Ilan Bluestone back in December – Ferry has teamed up with BT for a special collaboration in ‘1997‘.

Ferry Corsten has been busy with solo music in the first half of 2019, releasing ‘Freefall‘ – which feels like a more commercially viable release. He also returned to his Gouryella alias with ‘Surga‘.

Ferry Corsten has brought in another big name into the Unity project, with the legend that is BT. After remixing BT’s track ‘Suddenly’ in 2010, the pair are familiar with each other’s prowess in the studio, and that united vision is showcased in abundance. The team-up sees both artists strengths utilised to their best potential to create a track that is greater than the sum of its parts. As it should, the production leans heavily on the killer uplifting melody – which is a prominent throughout the entire track. The mix of each artist’s styles is present and concludes in an epic collaboration.

Ferry launched the UNITY project in 2018 with his collaboration alongside Paul Oakenfold titled ‘A Slice Of Heaven’, and continued working with artists within the Trance community throughout the year, such as DIM3NSION, Jordan Suckley, Saad Ayub and Ilan Bluestone, and after the success of 2018 has more releases in store after making his first donation to project partner, VH1’s Save The Music Foundation, an organisation launched to reinstate music programs in public schools, which to date has raised over $53 million and helped over 2,100 public schools.

You can learn more about the Unity project with our Ferry Corsten Interview.

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A Swiftie’s Track By Track Reaction To Taylor Swift’s ‘The Tortured Poets Department’

CULTR Staff
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A Swiftie’s Track By Track Reaction To Taylor Swift’s ‘The Tortured Poets Department’

Taylor Swift’s highly awaited album The Tortured Poets Department has arrived. As a fan, I wanted to note my live reactions to the entire project, track by track during my first listen. Read and listen below.

1. Fortnight
– lowkey the ai tiktok version was better (or at least more my vibe). i need to read the lyrics for the whole album before i make a full verdict but i didn’t love this one also post’s feature was a lot less than i expected it to be.
– the chorus is incredibly catchy. definitely see why this has become the album’s lead single.

    2. The Tortured Poets Department
    – “I scratch your head, you fall asleep” is such a fucking cute lyric.
    – oh come on. “now you take my ring off my middle finger and put it on the one people put wedding rings on and that’s the closest i’ve come to my heart exploding”. about Matty Healy? REALLY!? HIM!?!?!? AFTER A 6 YEAR RELATIONSHIP? idk man. weird vibes (to me personally).

    3. My Boy Only Breaks His Favorite Toys
    – my favourite by far at this point.
    – i’m only 20 seconds in but yeah my fav so far.
    – incredible
    – cést magnifique
    – living rent free in my head for the next week
    – lyrically and sonically the first song in the album to make me want to hit repeat

    4. Down Bad
    – i think i really like the lyrics, from what i can tell, but i don’t love the tune/melody.
    – “now i’m down bad crying at the gym” and “fuck it if i can’t have him i might just die it won’t make no difference” are such relatable lyrics.
    – I can see myself playing this on loop during a solo late night drive.

    5. So Long, London
    – the way the opening vocals sound like wedding chimes/bells. She’s insane.
    – love how much this links back to her previous lyrics on older work like “i’d marry you with paper rings”, “give you my wild, give you a child” and “i wouldn’t marry me either” etc.
    – ok this is another favourite for me.
    – “i kept calm and carried” the british-ism of it all.
    – “my spine’s split from carrying us up the hill” hurts my heart.
    – ok yeah i love this one. this is the 2nd one that has instantly been a hit for me.
    – AKJSFDKULWYERLFDKJH “AND YOU SAY I ABANDONED THE SHIP BUT I WAS GOING DOWN WITH IT” FUCK OFFFFFF
    – “MY WHITE KNUCKLE DYING GRIP” SHUT THE FUCK UPPPPPP THIS SONG IS SO GOOD.
    – “and you’re not sure if he wants to be there” oh yeah fuck my heart is hurting with this one.
    – “how much tragedy” “just how low did you think i’d go before i’d self implode” oh fuck this might be my favourite song now
    – the stacked harmonies is probably another reason i love this song specifically
    – “had a good run” is such a simple and common phrase but still for me some of the saddest lyrics in this song
    – yeah this song is a hit.

    6. But Daddy I Love Him
    – is not what i expected.
    – “these people only raise you to cage you” is such a sad way for her to feel about her fans growing up alongside her but sometimes holding her back/stopping her from getting/having what she wants (as the consensus is this song’s about MH)
    – “Stay away from her the saboteurs protested too much” where are all the swifties that screamed at Matty to leave her alone, y’all real quiet now huh
    – “I know it’s crazy But he’s the one I want I’ll tell you something right now I’d rather burn my whole life down Than listen to one more second of all this bitchin’ and moanin’ I’ll tell you something ’bout my good name It’s mine along with all the disgrace” GREAT lyrics.
    – i don’t like MH. and i didn’t like taylor with him (but whatever i didn’t really care just wasn’t my preference) but these lyrics are such a great fuck you to the fans who really tried to actively stop them being together (which is also wild)

    7. Fresh Out The Slammer
    – the intro guitar is pretty.
    – i don’t love this. it’s very eh sonically (to me). i also don’t like my interpretation that she’s “fresh out the slammer” (i.e. jail / a bad relationship she felt trapped in or unhappy in) and now she’s already got a guy lined up she’s been waiting to call as soon as she gets out
    – i know it’s not that literal. but the general idea of going from a long-term deep connection to feeling excited to run into someone’s arms you’ve been waiting for makes me feel icky.

    8. Florida!!!
    – SO GOOD! 5 SECONDS IN BUT GREAT
    – stunning cadence.
    – i miss her showing off her vocals a little more though. this whole album i’ve not heard super vocally impressive from her.
    – FLORENCE!!!!! I FORGOT FLORENCE & THE MACHINE IS ON THIS SONG WTF SHE SOUNDS SO GOOD!!!!!
    -“so i did my best to lay to rest all the bodies that had ever been on my body” is a crazy lyric
    – Florida is definitely another favourite for me.
    – florence’s voice adds so much to this song.
    – LITTLE DID YOU KNOW !!!!!!! yeah. i’m here for it.
    – is that a tambourine i hear? such a cute lil detail.
    – i want to replay this song already but i want to finish the whole album first

    9. Guilty as Sin?
    – “they’re gonna crucify me anyway” stood out to me. i didn’t catch what came before so there’s zero context to the lyrics but it’s the only thing about this album that jumped out at me.

    10. Who’s Afraid of Little Old Me?
    – i’m already really excited for this just based off the title and what i’ve seen others say about it.
    – 5 seconds in, i like the intro. it’s definitely one i like more. there’s potential for it to become a fav…
    – ALKJSDLKFJSLF THE WAY SHE LIKE SCREAMED “WHO’S AFRAID OF LITTLE OLD ME” then paused and almost whispered “you should be”. YUH.
    – she’s got me in a chokehold on this song. love.

    11. I Can Fix Him (No Really I Can)
    – “like a freight train through a small town” immediately made me think of a classic americana bruce springstein type lyric. she’s really coming for that miss americana title.
    – “they shook their heads saying god help her when i told them he’s my man” has such a nice flow the way it rolls of her tongue.
    – “but woah maybe i can’t” at the end finally admitting maybe she can’t fix him kinda had me gagged not gonna lie
    – the drums are also really sending me. i feel this song in my bones.
    – the way she screams “who’s afraid of little old me” is terrific. shoutout to all the girls who are gonna play this one and scream it in their cars.

    12. loml
    – hm. i saw a swiftie tweet a while ago it would be cool if she sung out different things loml could stand for in this song outside of the obvious love of my life and i really liked that concept so feel like i’m already coming into this with an idea which never helps
    – “i felt a glow like this never before and never since” ooooft. that hurts
    – “you said i’m the love of your life………….. about a million times” there it is.
    – the piano is really nice. this sounds bad but this is the kinda song i wanna see swifties make their own renditions of with their own lyrics on tiktok.
    – “i felt a hole like this never before and never since” taylor ilysfm but the abundant heartbreak songs that have come before this album (and will surely come after) indicate otherwise
    – i’m sorry i can’t take her seriously when she sings “mister steal your girl”

    13. I Can Do It With a Broken Heart
    – why does the background sound like a festival/carnival? i feel like i hear kids laughing and people talking?
    – “cause i’m a real tough kid i can handle my shit” ah ok maybe the connection?
    – “he said he’d love me all his life” i like this alot too
    – OOOOO THE LITTLE DISCO BITS
    – is disco the next big pop trend? ariana did it alot on eternal sunshine and now some of taylor’s album has vibes of it. idk if any of this makes sense.
    – i do really like the hook “cause i’m a real tough kid i can handle my shit”

    14. The Smallest Man Who Ever Lived
    – “Was any of it true?” has to be one of the most common questions asked at the end of romantic relationships.
    – overall this song is a skip for me. Very eh.

    15. The Alchemy
    – did she say “these chemicals hit me like white lines” ???? or am i deaf?
    – “i haven’t come around in so long, but i’m coming back so strong” is giving reputation vibes
    – this song is very wordy and i can’t hear everything so i will be needing a lyric sheet to break it down for me to fully appreciate.
    – melodically, it’s eh for me. i don’t mind. but slightly bland.

    16. Clara Bow
    – also really flat.
    -I don’t want to be a hater but a lot of songs on this album, unless they have a strong drum beat, are super forgettable. They all kind merge into one after a while. And that’s coming from a swiftie who wants to love it.
    – i’m struggling to keep my attention going during this song.
    – i feel like nothing from this song is absorbing into my brain. and instrumentally nothing dramatic and interesting is keeping me attentive.

    Overall, there are definitely some great songs that may become my favourites in her entire discography (such as Florida!!!; So Long, London; Down Bad; and My Boy Only Breaks His Favourite Toys) but as an overall artwork I fear the creative direction and promotion may be stronger than the work itself… I do tend to need multiple listens to fully comprehend and appreciate Taylor’s albums though so hopefully this grows on me.

    Boris Brejcha Delivers Smashing New Album ‘Level One’

    Oliver Tryon
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    Boris Brejcha Delivers Smashing New Album ‘Level One’

    Renowned German DJ Boris Brejcha, also known as the Joker, is gearing up to release his highly anticipated 9th album, “Level One,” on April 19th via his label Fckng Serious. The album features 17 tracks alongside 3 extended versions of previous releases, promising a blend of familiar and fresh sounds that invite listeners on an introspective journey through Brejcha’s artistic evolution.

    “Level One” symbolizes a new chapter for Brejcha, reconnecting with his musical roots while showcasing his growth as an artist. With its lead single ‘Miracle’ ft. Leony, the album offers a diverse sonic experience spanning various genres, yet maintaining a cohesive exploration theme.

    Brejcha shares, “Level One demonstrates my ability to find a delicate balance between my classic sound and my evolving musical direction. Creating an album posed the challenge of blending the familiar with the new. I believe I have successfully navigated this artistic journey.” 

    Accompanying the album are captivating visuals shot in Iceland, chosen for their symbolism of new beginnings, which enrich the overall narrative.

    Since 2022, Brejcha has actively released music under Fckng Serious. Teasing the album with singles like ‘Level One’ and ‘Space X’ in 2023, he has also been busy touring, including a North American bus tour and performances at Coachella and Tomorrowland. Last year, he introduced his concert format globally, setting the stage for an extraordinary experience on the Another Dimension Tour in 2024 across Europe and North America.

    Joell’s “No Flowers Without Rain” Drops: A Deep Dive into Scotland’s Latest Musical Gem

    Jon Stojan
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    Joell’s “No Flowers Without Rain” Drops: A Deep Dive into Scotland’s Latest Musical Gem

    The day has arrived! Joell, one of Scotland’s most innovative and introspective artists, has released his highly anticipated mixtape, “No Flowers Without Rain.” This project marks a significant milestone in Joell’s career, showcasing his artistic growth and unique ability to turn personal adversity into compelling music. Available now for streaming, this mixtape is set to captivate listeners with its raw emotions and eclectic soundscapes.

    “No Flowers Without Rain” is a powerful exploration of life’s highs and lows, encapsulating the essence of Joell’s artistic and personal journey. Each track weaves a tapestry of stories and emotions, from the struggles of overcoming personal and professional obstacles to the triumphs that come from persistence and creativity. Joell’s lyrical prowess is on full display, paired with a diverse range of beats that pull from different genres, ensuring that each song offers something new and unexpected.

    Listeners can expect a mixtape that is both reflective and forward-looking, filled with songs that resonate with anyone who has faced their own set of challenges. “Nobody in Scotland is on what I’m on. And that’s nothing to brag about. I’ve always been the odd one out. I went left when everyone went right. My sound is forever evolving, changing.” says Joell. This latest project from Joell is to carve out serious space in Scotland and the wider UK music industry. 

    “No Flowers Without Rain” is available on all major streaming platforms. Fans and new listeners can access the mixtape at Joell’s No Flowers Without Rain. This link provides the gateway to Joell’s latest work, inviting audiences worldwide to experience the depth and breadth of his talent.

    Joell is preparing to take his new music on the road to celebrate the mixtape’s release. With planned performances in major European cities, including a must-see show in Paris and his homecoming gigs in Edinburgh and Glasgow, fans can experience “No Flowers Without Rain” live. Following his recent supporting roles for French The Kid and Berwyn tour dates, Joell’s performances are known for their dynamic energy and intimacy, making each show a unique experience that extends beyond the music itself.
    “No Flowers Without Rain” is a collection of songs and a journey through Joell’s artistic evolution. This mixtape promises to be a landmark in his career, solidifying his place as a notable innovator in the music industry. As Joell continues to defy expectations and push boundaries, his work not only enriches the Scottish music scene but also significantly impacts the global stage. Listen to the mixtape, and watch for tour dates near you to witness Joell’s electrifying performances live.

    Big Yard and Darryl Scotti Unveil Single ‘State of Mind’

    Chad Downs
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    Big Yard and Darryl Scotti Unveil Single ‘State of Mind’

    Big Yard, an artists with a rich history in the industry and Darryl Scotti, an accomplished singer-songwriter and guitarist who previously performed with Spiral Starecase and shared stages with icons like Ray Charles, joins forces with producers Alex Chacon and Aaron Howard for ‘State of Mind.’ Together, they bring forth a multifaceted fusion of contemporary rock, pop, smooth jazz, big band, and R&B, all delivered with a polished, modern twist.

    Founded in 2022 under their label Big Yard Nation, alongside Larry Antonino and Pablo Cruise, Big Yard kicked off with their debut single ‘Proof’ earlier this year. This track introduced their fresh take on country rock ‘n’ roll, blending various genres to create a sound that’s both unique and familiar.

    Following their initial success, Big Yard has now released ‘State of Mind’, a sultry jazz-pop number that nods to the influences of Steely Dan and the Doobie Brothers. This song offers a smooth shuffle that whisks listeners away to another era, with Scotti’s charming vocals and an expertly arranged horn section that adds a dash of nostalgia and elegance.

    ‘State of Mind’ not only enriches the band’s musical catalogue but also appeals to a broad audience, making it a splendid addition to any music lover’s playlist. With its engaging groove and appealing lyrics, the track invites listeners to explore the nuances of its melodies and harmonies.

    Shyam P Teams with Moon Rocket for Single ‘Leave The World Behind’

    Chad Downs
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    Shyam P Teams with Moon Rocket for Single ‘Leave The World Behind’

    Shyam P, a renowned house vocalist, songwriter, and producer known for his work with industry leaders like Ferreck Dawn and Josh Butler, has teamed up with the exceptional Afro House producer and pianist Moon Rocket. Moon Rocket, famous for his electrifying performances in top clubs from New York to Miami and Italy, brings a unique flair to their joint ventures.

    “Leave The World Behind” not only hooks listeners with its catchy rhythm but also touches them with its theme of gratitude and freedom. The track is a masterful blend of pop and dance elements that will surely resonate with audiences worldwide, marking a high point in the album.

    Their latest album, “More Than Art and Science,” breaks new ground in electronic music. With over 25 million streams on Spotify, Shyam P’s unique vocals and adept songwriting, alongside Moon Rocket’s expert piano skills, have positioned them as prominent figures in their genres. Radio stations and notable figures like Radio 1 and Annie Mac have recognized Shyam P’s talent, while Moon Rocket continues to impress with his own infectious style.

    Their initial release, “Watercolours,” provided a thrilling preview of their combined talents, earning acclaim from global publications and Spotify playlists. Their newest single, “Leave The World Behind,” promises an engaging mix of upbeat rhythms and emotive vocals, perfect for any dance floor. The song invites listeners to immerse themselves in feelings of joy and release, making it an ideal summer anthem. Its catchy melody and groovy baseline create an atmosphere of carefree bliss, encouraging everyone to let go of their worries and enjoy the moment.

    Cousin Vinny Looks Inward With Hip-Hop Single ‘Too Humble’

    Chad Downs
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    Cousin Vinny Looks Inward With Hip-Hop Single ‘Too Humble’

    Cousin Vinny, an Indian-American artist and producer from Chicago, just dropped his latest track, “Too Humble.” This release wraps up his trilogy of songs that includes the earlier hits “Relax” and “Capone.” Each release has solidified Cousin Vinny’s reputation for unique style and deep, personal lyrics.

    Starting with his 2019 debut album, Fear of Missing Out, Cousin Vinny caught the attention of listeners with his range and creativity. This early work not only spotlighted him as a SoFarSounds Chicago artist but also set the stage for future creative projects. His 2021 album, Method To The Madness 1: Momentum, was a daring mix of sound and story, drawing inspiration from Shakespeare’s Hamlet.

    Now, after stepping back for a while, Cousin Vinny is back with “Too Humble.” This track mixes cool tones with reflective themes, exploring the challenges of self-doubt and the journey of finding oneself. The song is accompanied by an impressive music video that Cousin Vinny directed with Gasper Gomez, adding a visual layer to the powerful narrative of his trilogy.

    With “Too Humble,” Cousin Vinny continues to explore his identity and the music scene with depth and authenticity. This song not only concludes his latest project but also sets the stage for what’s next in his evolving career. Fans and new listeners alike will find much to appreciate in this compelling conclusion to his recent series of releases.

    Nur Reveals Entrancing Single Titled ‘Let Me Go’

    Chad Downs
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    Nur Reveals Entrancing Single Titled ‘Let Me Go’

    Angolan-Portuguese artist Nur has released her latest single, “Let Me Go,” adding an exciting chapter to her musical career. Originally named Nuria, she is the offspring of Angolan vocalist Eddy Tussa and the grandchild of Roy Mukuna, who played with Tanzania’s esteemed Maquis Original. Beginning her career at 17 as Black Beautty, Nur has explored various musical styles, including Afro-dance, Afro-pop, R&B, and neo-soul, gaining a loyal fanbase in Angola and Portugal.

    After relocating to London five years ago to study Music Business, Nur has embraced new musical influences that enhance her connection to her African heritage. This fusion is evident in her rebranding efforts, which aim to broaden her global reach.

    Her latest track, “Let Me Go,” is a thrilling Amapiano number that delves into the challenges of overcoming heartbreak and the journey to personal freedom. The song reflects Nur’s own growth and self-empowerment, as she continues to evolve as an artist. With its compelling rhythms and heartfelt lyrics, the track is set to charm listeners around the world and solidify Nur’s position as an artist to keep an eye on.

    Sound Of Fractures Drops New Single ‘Meant To Be’ – An Epic Fusion of Dance and UK Garage

    Chad Downs
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    Sound Of Fractures Drops New Single ‘Meant To Be’ – An Epic Fusion of Dance and UK Garage

    British electronic artist and nu-wave garage specialist Sound Of Fractures, also known as Jamie Reddington, is making waves with his latest single “Meant To Be” from his upcoming album “Scenes”. This new track masterfully mixes dance elements and UK Garage, creating an energetic vibe that’s hard to beat. Jamie’s music, known for its emotional depth and solid songwriting set against a dynamic two-step garage groove, has earned acclaim from leading music publications like Mixmag and Magnetic Magazine.

    Discussing “Meant To Be”, Jamie said, “Meant To Be is about growing as a person and how moments in your life can be so overwhelming at the time you can’t make sense of them but as you grow older you come to terms with how they contributed to making you who you are. They can make you more resilient, more compassionate and better equipped at how to deal with them in the future… and you understand it was meant to be that way.”

    The upcoming album, “Scenes” takes it to the next level, set to involve NFT/web3 technology, inviting fans to interact by sharing memories and photos linked to each track. This initiative transforms their contributions into a distinct collection of “Scenes”, creating a digital gallery that merges music with personal moments in a way that’s uniquely engaging.

    The album will redefine the artist-fan relationship, offering a platform for fans to actively participate in the creative process. Each track and its associated ‘Scene’ become a part of this collective artistic venture, emphasizing how music interacts with life’s narratives in our digital age.

    With a history of integrating traditional and web3 elements in his work, Jamie continues to push the boundaries of music production and distribution. His approach positions him as a pioneering figure in the music world while also challenging traditional industry structures by fostering direct connections with his audience.

    From Jazz to Electronic: MELT Festival, Happening July 11-13, Delivers Diverse Artist To 2024 Lineup

    Chad Downs
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    From Jazz to Electronic: MELT Festival, Happening July 11-13, Delivers Diverse Artist To 2024 Lineup

    Germany’s MELT Festival is gearing up for another summer bash, boasting one of Europe’s most thrilling and diverse lineups. Scheduled from July 11-13, 2024, in the unique setting of Ferropolis, Gräfenhainichen, the festival promises a roster filled with industry giants and breakout stars.

    Leading the charge are UK legends Chase & Status, known for electrifying crowds with their dynamic DJ sets. Joining them is the duo Overmono, blending genres to redefine electronica with a touch of garage flair. The festival also welcomes nu-wave jazz icon Yussef Davies, alongside a host of other talents aiming to make their mark.

    Festival director Florian Czok expresses enthusiasm for this year’s lineup, emphasizing the festival’s commitment to fresh talent and new experiences. “At MELT, we try to look beyond the horizon every year, to go new ways, and especially to give new artists a chance,” Czok explains. This year’s roster includes names like Sampha, Romy, the Sugababes, and Jayda G., plus emerging artists such as DJ Heartstring and Marlon Hoffstadt.

    GET TICKETS HERE

    The eclectic mix doesn’t stop there. Up-and-comers Kenya Grace, COBRAH, No Guidnce, and Pretty Girl are poised to draw attention, many debuting their first shows in Germany at MELT. “Therefore, we can say with pride that we have succeeded in this balancing act again this year,” Czok adds.

    MELT continues to draw attention not just for its lineup, but also for the unique Ferropolis venue, dubbed the ‘City of Iron’. This industrial backdrop sets the perfect scene for a festival that thrives on energy and exploration. With ticket sales matching pre-pandemic levels, MELT is set to be a highlight of the summer festival season. Journalists and media professionals can now apply for coverage, promising an event full of surprises and memorable performances.

    MELT Festival, a renowned event in Germany, has drawn crowds to the former Ferropolis open-cast mine in Gräfenhainichen for over 25 years. Offering a unique experience in the country, the festival features over 150 contemporary artists spanning various genres such as rap, indie, techno, house, and pop. Recent editions have seen performances from acclaimed acts like Fred Again.., Little Simz, Moderat, Róisín Murphy, Brutalismus 3000, Bicep (live), and Jamie xx. With its diverse lineup and captivating setting, MELT Festival continues to attract music enthusiasts from near and far.

    All new artists:
    ACIDHEAVEN
    Bambii
    Bovskey
    Chase & Status [DJ Set]
    D. Tiffany
    DJ Python [live]
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    ena b. Strikes Chords of Transformation with Latest Single ‘Change’

    Chad Downs
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    0
    ena b. Strikes Chords of Transformation with Latest Single ‘Change’

    Ena b., an indie-electronic artist hailing from Lisbon, is making waves with her upcoming debut album, “Ketamine Vacation.” This album blends a diverse array of influences, from folk and Americana to ambient and indie.

    Her latest single, “Headspace,” reveals the more intense side of her musical expression. The track features deep synths and a tech house vibe, providing a little something different and refreshing. Ena’s ethereal vocals float over a complex arrangement of electronic layers, engaging listeners in a deep, immersive experience.

    “Change,” the lead single, explores the daunting nature of transformation and emotional complexity. Its gentle melodies and haunting lyrics encourage a profound self-reflection. Ena’s music, drawing parallels to artists like Christian Löffler, Bonobo, and Julianna Barwick, offers a layered, authentic exploration.

    “Ketamine Vacation,” featuring the single “Change,” highlighted below, is the culmination of ena b.’s decade-long evolution as an artist and producer. Incorporating subtle elements of her folk and singer-songwriter roots into her electronic compositions, ena b. crafts a distinct sound. She invites her audience to embark on a wide-ranging sonic expedition that promises to be as unique as it is enthralling.

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