Washington D.C.’s Project Glow turned the cracked pavement outside RFK Stadium into a full-on dance party, bringing some of the biggest names in house, tech, and bass to the city for two days straight. Even with Saturday’s rain, the lot held up – no mud, no mess – just room to move, vibe, and connect. Shuffle circles popped up, friend groups were fully in sync, and the energy made it clear: all you really need is great sound, a crowd that shows up, and headliners who get it.
No question, Chris Lake completely stole the weekend. His set was packed with signature hits, slick tech-house edits, and transitions that just kept building the energy. By the end, the crowd was begging for more, but thanks to permits and a strict noise ordinance, the music had to stop. Honestly though? The way people were still going wild after the final drop, you’d think the set had just started. Sunday was all Subtronics. His set was massive — bass you could feel in your chest and apparently hear from over two miles away. The energy was unreal. People kept saying it “altered their brain chemistry”… and like, fair!
The undercard was just as strong: Slugg, Odd Mob, and San Pacho all crushed their sets. But Baby Weight? She owned the Secret Garden stage. A DMV local, runs the Chub Rub label, and had the whole crowd locked in. At one point, she jumped on top of her decks mid-set, dancing and pounding a beer while still mixing flawlessly. It was wild, joyful, and totally unforgettable. Shoutout to Gorilla T, Edgar V, and Jackie Hollander too – they each brought something unique and kept the energy up all weekend.
That’s the magic of Project Glow. It’s made for the DMV, by the DMV. Sure, the headliners are big names, but the local talent? They absolutely hold their own. There’s something really powerful about watching hometown artists take the stage and light it up – it’s a reminder that D.C. isn’t just a stop on the tour. It’s part of the scene.