This week’s Discovery Mix features seven artists each delivering a release that sharpens their identity and signals clear artistic growth. Notre Dame presents a club-ready EP grounded in cinematic storytelling and emotional restraint. Bender channels a formative club experience into a bold, high-energy house track with standout personality. Avalon Kane leans into emotional discomfort, using sharp electronic textures to introduce a darker, more assertive chapter. 1tbsp finds a balance between global rhythm and playful experimentation, showing how structure and spontaneity can coexist. Oberka’s full-length debut rewards full-play immersion, showing what’s possible when electronic music is treated as long-form narrative. Out Run and WHIPPED CREAM both work within established genres—synth-pop and melodic house—but push beyond style, delivering emotionally articulate work that reflects real evolution. Together, this mix underscores that forward momentum is, sometimes, what it’s all about.
ELECTRONIC
Paccu – ‘She Had’
The Austrian Paccu catches the care free beach vibes of the paradise he has found in Barcelona with ‘She Had’. The release surely packs inspiration from his global tour spanning from from Morocco and New York to Argentina and Brazil, where he is packing the rooms with a sound that is crescenting over the scene. Deeping the cultural imprint of his sound, Paccu has recently teamed up with Taha Malki and Jend for a trio that takes you on a lovely carpet ride billing themselves as Mosaic.
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Oberka – Regrow Protocol
Taiwanese producer Oberka returns with Regrow Protocol, a compelling 10-track album that skillfully blends elements of techno, bassline, glitch, and world instrumentation into a volatile and magnetic soundscape. The lead single, “Regrow Protocol,” started as an experimental live session and evolved into a centerpiece track that embodies the album’s theme of destruction as a necessary precursor to rebirth. Oberka’s genre-blurring style balances daring experimentation with emotional accessibility, inviting listeners to engage with a rich sonic ecosystem where chaos and order coexist. The album was crafted over nearly a year, merging improvised sessions and experimental sampling into a conceptually layered body of work. From glitch-heavy moments like “Frog” to the textured sampling of “Please Remember,” the album challenges traditional boundaries while maintaining a coherent narrative. Oberka’s evolution as an artist and founder of Taiwan’s Dark Paradise Records is clear, positioning Regrow Protocol as a bold statement in contemporary electronic music. This release not only marks a new phase in his career but also leaves us wondering what sonic explorations lie ahead.
Closed Loop – ‘Rave of the World’:
Grand Alliance Music is thrilled to announce the signing and debut release from Closed Loop, the innovative electronic music project helmed by multi-instrumentalist and A&R for Interstellar RabbitHole Collective aka Charles Miller. “World of the Rave” showcases Closed Loop’s distinctive blend of glitch hop, experimental bass, and 140 BPM rhythms, creating a track that is simultaneously fun, chill, glitchy, and mysteriously funky.
“Closed Loop is a cumulative journey into music, navigated through my own thoughts, ideas and perceptions projected into sound,” explains Miller. This philosophy permeates every beat of ‘World of the Rave.’
The release represents a significant career moment for Closed Loop, who has already established himself as a formidable live performer with notable appearances opening for Maddy O’Neal, Michal Menert (x2), Russ Liquid, and SoDown, plus a main stage performance at Glow Hard Festival 2024.
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Notre Dame – Recollection (EP)
French producer Notre Dame returns with Recollection, a two-track EP exploring memory and emotion through club-leaning arrangements and cinematic tone. Released via his own Paranormal Society label, the EP contrasts high-energy house on the title track with introspective storytelling on “Homesick,” co-written with Shoure. Both tracks showcase Notre Dame’s control over dynamics and narrative without sacrificing functionality for the dancefloor. His classical influences and emotional focus are increasingly defining his sound—one grounded in detail, warmth, and restraint. Recent support from Solomun and Pete Tong, along with global touring, shows that this vision is resonating beyond niche circles. Paranormal Society continues to take shape as a space for emotional electronic music done with intention. Notre Dame is building something meaningful—and it’s worth paying attention.
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Bender – “WTF?”
Bender’s “WTF?” is a sharp, peak-time house single released via his Marvelous Accidents imprint, balancing rebellion and clarity with well-earned confidence. Built around a viral vocal sample and a personal memory of his first time in Ibiza, the track lands with punchy percussion and a memorable hook. Bender’s aesthetic blends classic house with unpredictable choices, a method he calls “musical ADHD.” He’s been vocal about rejecting conventional branding in favor of creative freedom, and that approach feels authentic in both sound and delivery. A residency at UNVRS and previous sets with acts like Tale of Us and RÜFÜS DU SOL point to Bender’s range. “WTF?” keeps the focus simple: high energy, strong identity, zero compromise. It’s a strong entry from an artist who knows exactly who he is.
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Avalon Kane – “The Only One Who Knows Me Is Me”
Avalon Kane shares “The Only One Who Knows Me Is Me,” the lead single from her forthcoming LP Dissension, and a counterpart to last year’s ambient-focused Solace. The track channels emotional unrest into raw, textural synths and driving percussion—establishing a darker, more confrontational tone for this half of the double album. Kane’s writing centers on self-trust and chaos, with a haunting vocal that sits between confession and declaration. Her creative partnership with Stu Patterson continues to evolve, adding consistency across ambitious sonic shifts. A striking music video and custom SFX suit reflect her broader commitment to storytelling across mediums. Between thoughtful lyrics and left-of-center production, Kane is carving out a space that feels entirely her own. This track is a signal of deeper intent.
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1tbsp – Hotel Living (EP)
Australian producer 1tbsp releases Hotel Living, a six-track EP that blends underground textures with upbeat Latin-American rhythms. Featuring collaborations with Meth Math, Cherry Chola, DJ ADHD, and others, the project leans into eclectic energy without losing cohesion. Each track carries a sense of momentum, grounded in sharp percussion and tonal play. Inspired by the feeling of movement within contained spaces, the EP reflects 1tbsp’s thoughtful approach to production and curation. With shows alongside Disclosure and headline sets across North America and Europe, his live presence is growing steadily. Hotel Living feels polished, colorful, and comfortably unconventional. It shows range that earns both trust and curiosity.
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Out Run – “D’Istanti”
Italian duo Out Run returns with “D’Istanti,” a bilingual synth-pop track that blends ’80s nostalgia with modern emotional storytelling. The song explores distance, longing, and connection—moving between English and Italian over dreamy production and cinematic atmosphere. Vocalist Ginevra Abbarchini and producer Lawrence Fancelli balance intimacy and scope, offering a song that feels personal but accessible. Influenced by acts like Chromatics and Videoclub, Out Run has crafted a sound that stays grounded in mood and message. With their debut EP on the horizon, “D’Istanti” stands as a clear highlight in their catalog so far. It’s elegant and understated, without losing depth. Out Run is building something lasting—and it shows.
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WHIPPED CREAM & BKAYE – “never mine”
WHIPPED CREAM and BKAYE reunite on “never mine,” a melodic house single built on cinematic synths and rhythmic control. Released via Monstercat, the track carries emotional tension through sparse lyrics and dynamic contrast, opening with ambient textures before dropping into clean tech-inspired grooves. WHIPPED CREAM’s vocals bring clarity and restraint, offering more by saying less, while BKAYE’s polished production adds structure and lift. It follows their prior collaboration “real 4 me” and deepens their sonic connection. With festival slots including Tomorrowland and Shambhala, the track is poised for wide exposure. “never mine” is understated but effective—anchored in emotion, but designed for the floor. Together, they’re building something that feels deliberate and worth following.