Rich Delinquent emerges as a notable figure in Australia’s pop music scene, receiving praise from influential outlets like Euphoria, Elevator, and Earmilk for his unique blend of cyberpunk themes and emotronic sounds. His latest offering, the EP ‘Here’s To Dystopia,’ showcases his distinctive style and lyrical depth, marking another milestone in his career.
The EP opens with “Here’s To Dystopia ft. Riley,” a powerful track that dissects societal failures and the negative impacts of the pharmaceutical industry on mental health. Rich Delinquent does not shy away from addressing heavy themes, as highlighted in the lyrics: “Stop, society has let us down. Stop medicating until we drown. I will only sabotage myself… Here’s to dystopia, we’re in control of ya.”
“Speak Up,” a collaboration with Emmy Mack of Redhook, navigates the complexities of a breakup, offering a poignant look at vulnerability against a backdrop of gentle, oscillating melodies. Meanwhile, “Chica Diablo,” featuring 12am, blends elements of R&B, pop, and alternative rock, creating a awesome narrative on desire and manipulation. Melodic Mag praises the track for its moody atmosphere and intricate exploration of human connections.
The EP concludes with “Where’s the Exit,” a joint effort with Lakelend. This pop anthem explores longing, addictive feelings, and the dangers of love, underscored by compelling melodies and rhythms.
Rich Delinquent’s ‘Here’s To Dystopia’ solidifies his influence in the emotronic genre and draws favorable comparisons to The Weeknd’s early work, particularly from the ‘House of Balloons’ era. His skill in weaving engaging stories with clean, time-testing productions highlights his attitude, direction, and growth in the greater electronic music scene.
