Haywyre, or Martin Vogt as he’s known when not behind the decks, is back in the spotlight after a bit of a breather. Two years away from releasing music might seem like a lifetime in the fast-paced world of electronic, but Haywyre’s latest drop, “White Lie,” makes it clear that some things are worth the wait. It’s a fresh release from Monstercat, and it’s Haywyre’s first with the label in seven years – a sort of homecoming that hints at more tracks to come in 2024.
This Midwest maestro isn’t your run-of-the-mill electronic artist. He’s got a foundation in classical and jazz piano, and that shines through in his music. It’s a cool blend – feeling like a mix of a vintage vibe with the very edge of 21st-century sound. On stage, Haywyre is something else. He brings this dynamic energy that’s part live concert, part DJ set, completely breaking the mold of what you’d expect at an electronic live show.
Haywyre has shared stages with big names like Griz and Zedd, and even snagged a GRAMMY nod in 2021. His remix game is strong too, having remixed tracks for artists like Charlie Puth. But what really sets Haywyre apart is his sound – it’s laid-back yet adventurous. He takes dubstep, glitch-hop, and throws in his background in funk, classical, and jazz. It’s a rich musical flow that started taking shape with early albums like “Of Mellows and Revelations” and evolved into complex, layered works like “Two Fold, Pt. 2.”
So, while “White Lie” is grabbing headlines now, it’s just the latest chapter in Haywyre’s ongoing story. He’s an artist who’s constantly evolving, pushing boundaries, and keeping his fans guessing what’s next.
